It may not have been the best day to inaugurate Argentine artist Tomás Saraceno’s new installation, Cloud City (his largest in a 10-year-old series Cloud Cities/Air Port City), on the roof of the Metropolitan Museum due to the heavy downpours of rain, but it was the previously determined date. I was looking forward to checking out the installation in person, having been aware of Saraceno’s habitable constructions (previously here) for a while now, but will wait for a sunnier day.
The sculptural/architectural piece atop the Met is made up of interconnected metal and acrylic modules with both reflective and transparent panels. Visitors are able to enter the structure for up to twenty minutes by obtaining a timed-entry ticket. If the regular views from the roof garden weren’t already beautiful enough, I would imagine that both, the views from the additional 20-foot high interior, as well as off of the mirrored panels on its exterior, are even more spectacular, as evident in Saraceno’s photos.
Definitely worth a visit, though there are likely to be long lines to enter, especially on weekends. Luckily, Cloud City will be on the roof of the Met through November 4, 2012, at which point it will travel to Green Box Arts Festival in Colorado where it will be placed in the middle of the forest.
Check out The Met’s site for details.