The Frankfurt based Luminale 2014 — one of the world’s largest and most renowned light festivals — concluded this past weekend. As per usual, there were many impressive installations this year including Cornea Ti, a collaboration between Interior Architecture students from the School of Design Mainz and Ensemble Modern Frankfurt. Consisting of three connected containers that formed a sort of interactive stage, visitors would step through the amorphous tunnels triggering the many integrated LEDs hidden within the walls of the structure with their movements. In addition to the movement, sound caused the light to change, illuminating letterforms that would transform and morph into anagrams, only visible from the perspective of the audience. I haven’t been able to make out any words myself in the video below, but I sure do like the effect.
Reminiscent of the summer of 2000 when The Cow Parade hit the streets of NYC—we were huge fans, having set out on the mission to find all the cows and photograph ourselves with our favorites, pre-social media era, just for our own pleasure…imagine that!— this April the city has kicked off The Big Egg Hunt NY with close to 300 eggs “hidden” around town that Fabergé commissioned artists, designers, and architects to paint, or create their own, all in the name of charity. The participants are an impressive bunch, from artists such as Jeff Koons and Julian Schnabel, to architects Zaha Hadid and Morphosis, to graphic designer Debbie Millman, fashion designers including Cynthia Rowley and Diane Von Furstenberg, and, of course, street artists: Dain, Cost, Faust and plenty more. Unlike the cows at the beginning of the century, the eggs can be tracked via smartphone app that will notify a person if they’re near an egg and will place it on a map once it’s been discovered (and checked in) by ten people. It seems many of the street art eggs are located downtown, other eggs are exhibited in Grand Central, Rockefeller Center and Columbus Circle (there are a whole bunch more photos here.) But those are just a few eggsamples… there are lots more to find all across the boroughs, so get cracking! Well, you know what I mean. You have until April 17th. After that they’ll be exhibited at Rockefeller Center through the 25th and then auctioned off. Anyone can bid via the website and there are also more affordable mini versions available in the site’s shop.
via gothamist & nytimes
Earlier this year, Madrid launched an innovative project that seeks to “redecorate” lower income neighborhoods of the city with contemporary art interventions, both in the form of sculpture/structure as well as murals. Starting in Tetouan, the initiative to improve the urban landscape has been quite successful and is continuing on into other neighborhoods: first Usera, then Villaverde in the southside of the capital. One such project is Hypertube, a collaboration between PKMN Architects and Taller de Casqueria. The playful looking structure is made up of six precast reinforced concrete tubes two meters in diameter and two and a half meters in length. These dimensions make it possible for anyone to stand inside, from child to adult. Its objective: a “gathering place for neighbors and passers-by.”
via abc via lagaleriademagdelena
Fashion shows keep pushing the boundaries and blurring the lines between art, performance, design and fashion. Last week in Paris, Karl Lagerfeld and his Chanel team took their Fall 2014 runway show to a whole new level. Stepping into the Grand Palais, all attendees were welcomed by the over-the-top Chanel Shopping Center. An entire supermarket recreated with every item rebranded/repackaged and emblazoned with the highly recognizable interlocking C’s of the Chanel logo. From every food product you can imagine, to cleaning products, welcome mats, brooms, soap, garbage bags and much more. The models walked through the runway aisles clad in the new Fall line, all wearing sneakers (because you can wear a Chanel suit to pick up your groceries, but heels might be too much?) pushing grocery carts or carrying baskets. An impressive feat, which apart from the obvious wow-factor, was meant to be a commentary on the state of consumerism. You’ll be relieved to know that all of the items are being donated to charity. It is difficult to wrap one’s head around all the design, printing, and organization that clearly went into this event, in addition to the fashion line itself. It’s the ultimate mega pop-up shop/installation… it’ll be tough to top.
Here’s a video of the models strutting their stuff:
via Garance Doré
It’s been an art-intense week in NYC, with more art fairs in town than time to view them. I did, however, get to almost all of them and will cover some of the highlights for me, sporadically over the next couple of weeks. Overall, and very in general, I continue to have a bit of a weakness for VoltaNY and The Armory Show, but Spring/Break was a nice surprise, with its edgier works and installations and its very topical theme of PublicPrivate. Less surprising were Scope and Fountain, which seemed to have a lot of repeats from previous years, but then, arriving at Fountain after over four hours at the piers might not have been the freshest way to take it all in. The banners hanging from the upper floor were pretty great, though.
So first here, from the Armory Show, are West African artist Romuald Hazoumé’s whimsical contemporary African masks made using discarded plastic containers, in particular gasoline canisters. Though the masks link to the artist’s heritage, they also represent his critical vision of political systems. “I send back to the West that which belongs to them, that is to say, the refuse of consumer society that invades us every day.” Hazoumé was at the Armory booth when I was there, explaining to a small group that in several of these masks, the hair was very telling of a woman’s relationship status. For example: the criss-crossed braids topping the black diamond-shaped mask represents a woman who is content, but not thrilled by her husband. The yellow jug with the bunched up hair on top, is a woman who is thrilled by her man. The blue canister with the twisted braids shooting out and turning downwards, is a very dissatisfied woman. So, there you have it. Romuald Hazoumés masks reminded me a little of Willie Cole’s shoe masks (here), and whose work was nicely featured at Volta this year, including this fun sculpture made using irons.
For performance artists/architects Ward Shelley and Alex Schweder (previously here) sharing an unconventional living space is not a new concept. Their “performance architecture” has taken unusual forms such as a hanging see-saw-like structure or a stacked-living arrangement, in each case co-dependent on the other’s movement. Their latest installation/performance is titled In Orbit: a 25-foot wheel hanging from the ceiling, complete with two beds, desks, chairs, sinks, and apparently porta-potties (fortunately those don’t flip with the wheel), one of each at the counterpoint of the other. Ward Shelley lives on the exterior of the wheel, while Alex Schweder on the interior. And live they will, like this, without getting off, for a total of ten days. Currently they’re halfway through their stay. Any time one of them wants to use the sink or lie on the bed, they both have to slowly walk, rotating the wheel—much in the way a hamster makes his/her cage wheel rotate—to get to that particular item, in unison, and they both have to be in agreement as to the current activity. Schweder can’t choose to work at his desk while Shelley lies on his bed. That simply won’t work.
For those of you in NYC, you can visit In Orbit and witness their cohabitation at The Boiler through March 9, 2014. After that the structure will remain on view until April 5th sans artists. For everyone else, there’s the video below:
German artist/designer/architect Tobias Rehberger (previously here) currently has a three-part exhibit titled Home and Away and Outside at the Shirn Kunsthalle Frankfurt. For the purposes of this post, I’m focusing only on the first part: a floor to ceiling installation with an optical illusion all-over effect combined with paintings and sculptures that create a dizzying state of sensory-overload. The dazzle camouflage graphics covering the surfaces are based on an optical technique employed mainly on ships in World War I making them difficult to pinpoint as targets. Once visitors make it through this first, trippy, part of the exhibition, they are greeted by a second, more tranquil section that contains applied and functional artworks including much of the sculpture that has set Rehberger apart since the 90s.
Home and Away and Outside is on view in Frankfurt through May 11, 2014.
If you walk by Madison Square Park here in NYC from now through April 13th, you’ll spot a confusing sight: three water towers, the sort we usually see perched atop the city’s buildings holding much of our water supply—and usually a familiar part of the urban landscape. The three tanks in the park, however, do not contain water but rather are Brooklyn-based Chilean artist Iván Navarro’s (previously here and here) latest light installation titled This Land is Your Land after the Woody Guthrie song. This site-specific piece “reflects” the experience of immigration through mirrored neon type, as well as a neon ladder, that repeat infinitely within the wooden cylinders. The word “me” reflects becoming “we” alternating up the interior of one tank, while “BED” in another. I stopped by during the day and then again at night to see these and enjoyed the experience both ways. Having them stand low in the park, with the backdrop of the Flatiron building from one angle and, at night, each one glowing downward with the brightly lit Empire State Building behind from a different position, make the choice of location all the more appropriate. So, make a point to pass by, and peek under, Navarro’s water towers before April 13th.
A couple of weekends ago, when Dan was in town for a short visit, we went over to the David Zwirner Gallery in Chelsea to catch the new Doug Wheeler light installation. Having been to the previous Wheeler show two years ago (here) I was very excited to share the experience with my daughter. Unlike the last exhibit, there was no line. In fact, we were asked if we had a reservation, which spurred a moment of panic but, fortunately in our case, it was of no consequence. However, also unlike SA MI 75 DZ NY 12 this Wheeler light installation was less surprising and disorienting, which isn’t a bad thing, just different. While the last exhibit was a bit unnerving upon entry — not being able to tell where the room began or ended — this domed room shows its edge and horizon line right from the door. The previous work instilled a bit of anxiety, this one a calm and soothing effect. As in many of Wheeler’s works the immersive environment emphasizes the viewer’s physical experience of space, in this case focusing attention on the way light almost imperceptibly changes along the horizon as the earth turns. If the last exhibit installation felt like being in a cloud, I would equate this one (based on no personal experience, obviously) to a moon-like atmosphere. Forget watching George Clooney in Gravity, head over to David Zwirner and immerse yourself in Doug Wheeler’s rotational horizon. Best to make a reservation, just to be on the safe side. The installation will be up through March 29, 2014.
Third photo courtesy of David Zwirner Gallery. All others collabcubed.
What would you do with 500,000 sugar cubes? Well, if you’re Irish artist Brendan Jamison and his sculptor collaborators Mark Revels, Mary McCaffrey, Lydia Holmes, and David Turner, you build a metropolis, naturally. A Sugar Metropolis. Brendan Jamison and his crew did just that this past October through January at the Ulster Museum in Belfast, Northern Ireland, inviting visitors to participate in the ongoing construction of sugar buildings with the assistance of the experts. Now, with the help of No Longer Empty (previously here and here) they’re bringing their project to Harlem this summer; the Sugar Hill district, no less! The event aims to celebrate the power of collaboration in art, engaging local residents of all ages in the community to help build their own Sugar Metropolis, with the goal to ignite the imagination of everyone in the neighborhood. Brendan Jamison has created a Kickstarter page to help fund the project, so see if you might want to consider contributing to their generous creative efforts.
Here’s Ulster installation in progress:
Photographer Fred Cray’s (previously here and here) latest exhibit at Janet Borden Gallery centers around his ongoing work titled Unique Photographs. It’s a fun idea that engages the public, distributing his unique artworks in the most unexpected places. But, really, who better to describe it than the photographer himself?
“This project is referred to as Unique Photographs which is also the title of the first overview book about the project. The second book, Changing the Guard, is a counter point to the first book and uses the same image double printed to make hundreds of unique print variations. The photographs have been hidden literally around the world with the intent of surprising people in pleasant ways, perhaps being kept as gifts. This should be an on-going project taking on new permutations for a number of years. The photographs have been stamped and numbered with holes being punched in the photographs recently to reinforce the notion of the photographs being unique objects.”
You have until February 21st to see the show at Janet Borden. Additionally, you can purchase both books here and here. And keep your eyes peeled for Fred’s unique photographs around your neighborhood. You never know where the next one might pop up…
It’s that time of year again, when all things turn red and heart-shaped in honor of St Valentine. Times Square is no exception. Now in its sixth year since the revitalization of Father Duffy Square, Times Square Arts held their annual Times Square Valentine Heart Design Competition for a heart- and love-themed interactive sculpture to be placed across the square from the TKTS booth steps. This year’s winning design is Young Projects’ Match-Maker that will cosmically connect people, guided by their zodiac signs. Peering through bright red, interwoven periscopes – which, from certain angles, appears as an iconic heart, while from others a more abstract tangled object – visitors are offered glimpses of their four most suited astrological mates.
But while Match-Maker is a clever design, the competition was no slouch either. The five finalists were strong candidates and merit mentioning as well. Haiko Cornelissen Architecten submitted Tweet Heart NY, an illuminated heart that would pulsate with every tweet @ it. The more tweets, the faster the pulse. Schaum/Shieh Architects offered My Fuzzy Valentine, a striped graphic reflective structure that would create moiré patterns when rotated that pulse like a beating heart, as well as making for great selfie opportunities and creating digital Valentine-grams. Next, The Living proposed Vapor Valentine: a dynamic cloud that captures and displays the ever-changing life and light of Times Square. People could interact with the heart through touching and blowing the cloud, through placing their hands on the glass box to affect the vapor inside, and through a custom text-messaging hotline. Heart, proposed by Pernilla Ohrstedt Studio, would have been made from an illuminated circle that could be pulled and folded to form a heart. When released it would flutter until regaining its balance. Lastly, SoftLAB’s entry was inspired by the sweetness and forms of rock candy and candy hearts, hence its name Sweet ❤. Its kaleidoscopic reflective surface would capture the lights of Times Square in addition to revealing hidden messages as visitors moved their mobile cameras around the sculpture.
You can visit the winning Match-Maker sculpture through March 11, 2014, and you can read more about all the entries over here.
via Van Alen Institute
Last month, continuing in the tradition of converting pre-demolition or abandoned sites into an opportunity for a temporary street art show – Tour Paris 13, Rae’s Word of Mouth Bodega, and Surplus Candy being prime examples – Le Projet FMR organized the exhibition Home Street Home in a villa doomed to destruction in Montpellier, France. Coralie & Tom, former lawyers who started the project, had a week to set the place up with the help of local and international street artists. Some of these include: Mr. BMX’s bikes; Levalet and the incorporated cables; Baubô in the bathroom; Mme. Moustache; Yuri Hopnn; Stoul in the kitchen; Depose’s graffiti walls; and Souredj’s sculptural street art, to name just the ones in the photos above. Home Street Home was up and open to the public from January 17th through the 19th. You can see many more photos on Le Projet FMR’s website and facebook page, and you can get a virtual tour with some artist interviews in French in the video below:
At the VVTs All-Russia Exhibition Center in Moscow last week, an upside down house had visitors in a tizzy. Similar in concept to Jean-François Fourtou’s Tombée du Ciel, this house (not sure who the artist/designer behind the project is) is larger and even includes a car hanging from the driveway. The multi-room structure was built upside down as a tourist attraction and was fully fitted with furnishings, kitchen, bath, and even food on the dining room table, all hanging from the ceiling, or, rather, floor…wait. It appears that at least in one of the rooms a video camera was inverted inside a cabinet (see third photo down) projecting the room live and right side up on a tv screen and, consequently, its visitors upside down. Confusing and fun.
Thanks Ramon and Eugene. (GMS)
I’ve been through a corn maze and even visited an ice bar, but I had never heard of these incredible Ice Castles created in Colorado, Utah, and New Hampshire. As an homage to the Polar Vortex we’re presently experiencing here on the east coast, I thought I’d post some photos of these castles/mazes that are built by hand from more the 20,000,000 pounds of ice. These glacial formations include caverns, archways, paths and tunnels inviting visitors to wander through in awe. If the ice itself isn’t amazing enough, at night these structures are illuminated by colored lights for additional dramatic effect. The castles begin by ‘growing’ more than 5,000 icicles per day which are then sculpted together. By dipping the icicles in freezing water they then stick to each other and with the combination of wind, temperature fluctuation, and water volume a variety of effects can be achieved. The process takes a few weeks of growth and artistry, repeating the process twice daily, until the final ice masterpiece is completed. If temperatures don’t change much around here, we may be able to build one of these in Central Park any day now…
Take a virtual walk through with this video:
Last month at Art Basel Miami, Venus Over Manhattan Gallery curated an exhibition titled Piston Head: Artists Engage the Automobile. Fourteen cars converted into sculptures by well-known contemporary artists since 1970 were on view at the spectacular open-air parking garage, 1111 Lincoln Road, designed by Herzog & deMeuron. The exhibit included works by Keith Haring (top), Damien Hirst (dotted Mini Cooper), Kenny Scharf (3rd from top), Ron Arad (pressed car), Bruce High Quality Foundation (VW Beetles), Franz West’s 1970 Rolls Royce, as well as eight more artists.
And here in an unrelated yet related (in that he’s drawing on a car) video is Jon Burgerman doing his thing on a zipcar:
via Venus Over Manhattan
Click to enlarge
Tokyo-based teamLab is a group of ultra-technologists including programmers, user-interface engineers, mathematicians, CG animators, as well as architects, designers, artists and editors, who blur the boundaries of their respective fields to create and discover new ideas and push limitations. Presently, their interactive installation Homogenizing and Transforming World is part of the exhibition Distilling Senses: A Journey through Art and Technology in Asian Contemporary Art, at the Hong Kong Arts Centre. Individual balls floating within an enclosed space communicate to each other via wireless connection. They change color and emit different sounds when touched by visitors or bump into each other or other objects. The balls send color information to other balls which in turn spread the information to other balls, changing all the balls to the same color. The piece is a metaphor for the internet and globalization in general. People act as intermediaries for information which so quickly travels via the internet globally, transforming the world in an instant and unifying at the same time.
You can see the installation live through January 12, 2014 or in the video below anytime: