This looks fun and since we’ll be attending festivities in Maryland this weekend, maybe we’ll be able to squeeze in a quick jaunt to the National Building Museum in Washington D.C. before the maze comes tumbling (well, maybe not tumbling) down on Monday, September 1, 2014. Danish architecture firm Bjarke Ingels Group (BIG) (previously here and here) has created a concave wooden labyrinth in the middle of the museum’s main hall. Constructed with maple plywood, the structure rewards your efforts by revealing a 360-degree view of the maze once you reach the center, the point where the 18 ft tall walls are clearly a lot shorter. Of course, there’s always the option to get a different—and more complete— perspective/view from the second and third floor balconies without doing all the work, but then, what fun would that be?
Artists Bob Seng and Lisa Hein have created their Jello Brick Wall sculptures on more than one occasion. Their most recent was at the Seattle Center in, well, Seattle. The jiggly installation consisted of 500 lbs. of Jell-O made into loaf-size bricks of varying flavors (raspberry, orange, cherry, lime, and more) and colors held in place with gypsum mortar. The artists cook the Jell-O on a hot plate and cool it in molds in a fridge. The final wall measured roughly 5 feet in height and 12 feet in length. And then there’s the melting/deteriorating aspect. Hein and Seng like the temporary nature of the work. Each brick apparently has the approximate lifespan of cut flowers, eventually melting or crumbling leaving just the mortar. The work is part performance, part installation. You can see more in the video below:
East London artist duo Mariana Fantich and Dominic Young who make up the studio Fantich & Young, create conceptual sculptures addressing “parallels between social evolution and evolution in the natural world.” The original Apex Predator—described as predators with no predators of their own, residing at the top of the food chain—tooth-soled shoe sculptures started with the Barker Oxford shoes inlaid with 1050 false teeth in their soles in 2010. These were used to accompany the Apex Predator Suit made of human hair and glass eyes for buttons. The Empire (Jimmy Choo heels) followed and, most recently, this year in fact, the Red Shoes Mary Janes are the latest addition to the series. Now the whole family can grip the ground, chomping their way around town. Creepy? Yes. But come on…pretty cool, too.
You can see the rest of Fantich & Young’s work here.
Swiss accessories luxury brand Bally has launched a year-long initiative expanding their commitment to art and design with their project titled Form Scratch presented during Art Basel last month. The project has three parts to it: the restoration of one of architect Jean Prouvé’s signature prefab nomadic structures; a collection of furniture by Swiss architect Pierre Jeanneret; and, lastly, a commission by French artists Benjamin Moreau and Samuel Boutruche of Kolkoz. That last part mentioned is the one this post is about. Drawing from their background working in video games and 3D digital imaging, the Kolkoz duo recreated the house’s elements as a flat wooden panel, much in the style of the model kits from my youth (and likely still today… it’s been a while since I’ve put together a toy model.) Being that the Jean Prouvé house is meant to be built by two people in a day, the artists flattened it out and playfully made it an oversized toy object. The installation is both fun as well as a document of the structure’s elements. Suspending it over the river Rhine makes it all the more humorous and eye-catching.
Here’s the event in all its fabulousness:
I get a particular thrill out of exploring and discovering things on my own, by chance. I’m not a big fan of GPS and forever get annoyed at the level of detail on Mapquest or Google maps when trying to get directions. For me, part of the fun is making the effort to figure it out myself and the mistakes I may make in doing so are part of the adventure. So it’s not surprising that I like the concept behind Watershed’s Playable City Award in Bristol. In their second year, The Playable City Award aims at getting people to use technology to capture that element of surprise/fun and adventure instead of using it to solely engineer our lives. They invite entrants from all over the world to submit ideas that use technology to create playful interactions connecting the people of the city and helping them engage with their surroundings in unexpected ways.
This year’s award of 30,000 pounds was presented to New York-based interactive designer Jonathan Chomko and Treviso-based architect/designer Matthew Rosier for their interactive light installation titled Shadowing. Using infrared tracking and triggered projections, the shadow of a previous passerby will be replayed to the next person who walks under a modified streetlight. The creators are hoping for a playful experience, though there is potential for a little creepiness, too, but they are working on ideas to avoid that as well as many more features before Shadowing is unveiled to the public on September 10, 2014.
I suppose you could say that by posting this I’ve spoiled the element of discovery and surprise, and you’d probably be correct. Sorry. Quick…stop reading! But, if your memory is as bad as mine, even if you happen to be one of the few people reading this who will be in Bristol come September, the odds of remembering this as you pass under a streetlight are quite slim.
If you’re not one to care about spoilers, you can see Chomko and Rosier’s animated prototype below.
The German street art trio Mentalgassi (previously here) joined forces with Mundano in São Paulo, Brazil, to create this clever series of characters donning their customized trash backpacks for Pimp My Carroça, an environmental and cultural group that aims to add a little color and humor to the importance of recycling and not littering. The message is particularly on point with the hoards of tourists in town for the World Cup, leaving a trail of garbage behind.
It’s been a couple of years, but it comes as no surprise that OK Go’s latest music video for their new single “The Writing’s on the Wall” is amazing. It may even top all the others, if that’s possible. With one tricky optical illusion after another, the clip includes the anamorphic effects and styles of artists such as Felice Varini, Vik Muniz, Bela Borsodi, and one of our favorites, Boa Mistura. The project took roughly three weeks (looks like it would have taken even longer!) and fifty takes before wrapping. The last scene revealing the crew is terrific, adding yet another dimension, and the sense of joy at having completed the impressive project shines through. In addition, the playing with perspective (more than one way to see things) goes hand-in-hand with the somewhat sad lyrics, despite the upbeat tune.
Watch the video below. OK Go’s new album Hungry Ghosts, which includes this song, is due out in October.
via colossal and rollingstone
Last weekend we headed over to Bushwick Open Studios. Always a bit difficult to navigate due to the number of artists and studios that participate, as well as the sprawling nature of it, we were fortunate to find Hyperallergic’s Concise Guide and managed to hit a good amount of studios with interesting work. One of these was Rodney Allen Trice’s, an artist and designer who moved to NYC 25 years ago and needed to furnish his apartment on a budget, ultimately using found objects and “refitting” them into furniture. What might look like an old garden hose to the naked eye becomes an ottoman or a funky fashionable hat in Trice’s world. His tire rocker, having sat in one myself, couldn’t be more comfortable, and the crutches table, though maybe not my personal aesthetic, is definitely eye-catching and incredibly clever. But the designer doesn’t stop there, no siree. His company T.O.M.T. has been repurposing trashed and forgotten objects for years with the mission of object recovery and reassignment. He likes to call it “object career counseling” rather than waste-handling and he’s spreading his philosophy and technique not only through his work but via classes in his studio as well.
Chilean artist/designer Sebastian Errazuriz (previously here, here, & here) has taken the birthday piñata of his youth and put a spin on it for this year’s NYCxDesign Festival. His monumental Golden Calf, or Cash Cow, will provocatively serve multiple purposes: a symbol of celebration; a symbol of capitalism; and as a symbol of “anti-capitalistic” greed. At the end of the festival, guests will be invited to smash the symbol of capitalism to smithereens. The oversized piñata will be filled with over 1000 dollar bills that will tumble out once the beating is successful. The irony that Errazuriz anticipates is the moment when the anti-capitalist rage in the piñata bashers turns into greed as the very same crowd ends up running for the cash themselves, stuffing their pockets with the bills. “I’d like to see people rolling on the ground and fighting for dollars,” he said. Wouldn’t it be nice if he were wrong.
Errazuriz’s golden calf will be on view at Industry City in Sunset Park, Brooklyn until May 20th at which point mayhem should ensue at 5pm.
Top photo: NY Daily News. All others: courtesy of the artist.
French transmedia artist Miguel Chevalier presented Magic Carpets 2014 in Morocco at the beginning of the month. The spectacular lighting installation turned the massive floor of the Sacré Coeur church in Casablanca into a joyful interactive experience. From a sea of vibrantly colored spirals to pixels that gave way to cellular-inspired patterns, the contemporary animated projections moved along nicely complemented by Michel Redolfi’s music. See it in action in the video below. I could see this working very nicely at our own Park Avenue Armory here in NYC…hint, hint.
School of Visual Arts design student Shurong Diao decided to link Chinese calligraphy to the Roman alphabet by substituting black ink on rice paper with long black hair…and when I say “long” I mean crazy-long (photoshopped long?) hair. Every letter of the alphabet has been created and there are even a few words thrown in. Maybe not the most practical typeface, but kind of fun.
Click to enlarge
Flickr user Harvezt has cleverly ventured to the other side. The other side of iconic album covers, that is. Harvezt has created a gallery of album covers as seen from behind. From a British bobby directing Abbey Road traffic, to the other leg and cheek on the Strokes’ Is This It, on to Kraftwerk, Springsteen, Nirvana and more, the funny and well-executed idea often surprises, but even the less surprising cases readily evokes a smile. You can see the rest of the set here.