I like this concept: projecting street artists’ work onto them and photographing their portraits is what photographer Guille Lasarte did here. Street artists in this series include members of Demolition Crew, Jos, Duarte Brito from Unimotion, Mr. Isaac, Hugo Ferracci, and Cintia Lopes. Another concept I like: Book a Street Artist.
Both via Panta
Yes, this is probably all over the internet by now, but how could we, a mother-daughters design blog not post about it? Even if the daughters are in their 20s. But this 4-year-old daughter and mother collaboration is right up our alley and my only regret is that we didn’t think of it ourselves. Mom Angie, noticed her 4-year-old “Mayhem” opting to dress herself up in scarves and sheets over her store-bought princess dresses while playing. Clearly interested in fashion, Angie suggested they make their own dress out of paper and Mayhem jumped at the idea. The rest, as they say, is history. Nine months later, the mother-daughter collaboration has yielded dozens of designs—with 50/50 contribution on the creative concepts—that have been posted to an instagram account. Mayhem contributes much more than one would think to the construction of these dresses, having even made a couple completely on her own. Their inspirations vary from My Little Pony to the Golden Globes’ red carpet and the results are unbelievably cute as well as impressive. The most ironic part? Angie, the mom, is not a particularly crafty or fashionable person. As for Mayhem? I think she’ll likely be on Project Runway before we know it.
You can see many more of these delightful designs and photos over here and here.
German artist/designer/architect Tobias Rehberger (previously here) currently has a three-part exhibit titled Home and Away and Outside at the Shirn Kunsthalle Frankfurt. For the purposes of this post, I’m focusing only on the first part: a floor to ceiling installation with an optical illusion all-over effect combined with paintings and sculptures that create a dizzying state of sensory-overload. The dazzle camouflage graphics covering the surfaces are based on an optical technique employed mainly on ships in World War I making them difficult to pinpoint as targets. Once visitors make it through this first, trippy, part of the exhibition, they are greeted by a second, more tranquil section that contains applied and functional artworks including much of the sculpture that has set Rehberger apart since the 90s.
Home and Away and Outside is on view in Frankfurt through May 11, 2014.
This is such a great project. LATA 65 is a simple concept: organize street art workshops for the elderly. Over the course of a few days, seniors learn about street art, graffiti and its history, as well as several techniques such as stenciling, then they take their newly acquired skills to the street, ultimately awakening the creative spirit. The clever minds behind the project are Lara Seixo Rodrigues of WOOL Urban Arts Festival and Fernando Mendes of Cowork Lisboa. The presently Lisbon-based project believes that retirement should not equal an intellectually passive lifestyle, and having fun is critical at any age. Even if these elderly street artists don’t get their shot at the Houston Bowery Wall, they definitely look like they’re having fun. Mission accomplished.
Em, who’s always tuned in to the latest fashion news, sent along Moschino’s newest collection designed by the company’s recently appointed creative director Jeremy Scott. These humorous gowns and outfits follow in the Moschino tradition of taking iconic logos and characters and interpreting them with an ironic twist. Jeremy Scott’s line, which includes a capsule collection called Fast Fashion, is inspired by the less-than-healthy snack and fast-food industry. Blowing up these packages ranging from Hershey’s chocolate bar wrapper in this case enveloping a woman’s body, to a variation of the McDonald’s logo centered large on a handbag, the runway show must have felt like a trip down the supermarket aisle in Lilliput. I can’t imagine who will be wearing these, but that Nutrition Facts bridal gown is definitely an irresistibly fun turn on traditional wedding attire.
A couple of weekends ago, when Dan was in town for a short visit, we went over to the David Zwirner Gallery in Chelsea to catch the new Doug Wheeler light installation. Having been to the previous Wheeler show two years ago (here) I was very excited to share the experience with my daughter. Unlike the last exhibit, there was no line. In fact, we were asked if we had a reservation, which spurred a moment of panic but, fortunately in our case, it was of no consequence. However, also unlike SA MI 75 DZ NY 12 this Wheeler light installation was less surprising and disorienting, which isn’t a bad thing, just different. While the last exhibit was a bit unnerving upon entry — not being able to tell where the room began or ended — this domed room shows its edge and horizon line right from the door. The previous work instilled a bit of anxiety, this one a calm and soothing effect. As in many of Wheeler’s works the immersive environment emphasizes the viewer’s physical experience of space, in this case focusing attention on the way light almost imperceptibly changes along the horizon as the earth turns. If the last exhibit installation felt like being in a cloud, I would equate this one (based on no personal experience, obviously) to a moon-like atmosphere. Forget watching George Clooney in Gravity, head over to David Zwirner and immerse yourself in Doug Wheeler’s rotational horizon. Best to make a reservation, just to be on the safe side. The installation will be up through March 29, 2014.
Third photo courtesy of David Zwirner Gallery. All others collabcubed.
What would you do with 500,000 sugar cubes? Well, if you’re Irish artist Brendan Jamison and his sculptor collaborators Mark Revels, Mary McCaffrey, Lydia Holmes, and David Turner, you build a metropolis, naturally. A Sugar Metropolis. Brendan Jamison and his crew did just that this past October through January at the Ulster Museum in Belfast, Northern Ireland, inviting visitors to participate in the ongoing construction of sugar buildings with the assistance of the experts. Now, with the help of No Longer Empty (previously here and here) they’re bringing their project to Harlem this summer; the Sugar Hill district, no less! The event aims to celebrate the power of collaboration in art, engaging local residents of all ages in the community to help build their own Sugar Metropolis, with the goal to ignite the imagination of everyone in the neighborhood. Brendan Jamison has created a Kickstarter page to help fund the project, so see if you might want to consider contributing to their generous creative efforts.
Here’s Ulster installation in progress:
Last month, continuing in the tradition of converting pre-demolition or abandoned sites into an opportunity for a temporary street art show – Tour Paris 13, Rae’s Word of Mouth Bodega, and Surplus Candy being prime examples – Le Projet FMR organized the exhibition Home Street Home in a villa doomed to destruction in Montpellier, France. Coralie & Tom, former lawyers who started the project, had a week to set the place up with the help of local and international street artists. Some of these include: Mr. BMX’s bikes; Levalet and the incorporated cables; Baubô in the bathroom; Mme. Moustache; Yuri Hopnn; Stoul in the kitchen; Depose’s graffiti walls; and Souredj’s sculptural street art, to name just the ones in the photos above. Home Street Home was up and open to the public from January 17th through the 19th. You can see many more photos on Le Projet FMR’s website and facebook page, and you can get a virtual tour with some artist interviews in French in the video below:
Maybe it’s time birds get in on museum culture. Or at least that might be one of artist Marlon de Azambuja’s (previously here and here) goals in creating these sculptural bird cages in the shape of famous international museums. See if you can identify all four. I’ll link to photos of the actual museums: top (c’mon, that’s a freebie!); second one down; second from bottom; and bottom.
If you like these you might also enjoy these gingerbread museums.
The always-wacky usually-less-bloody Jon Burgerman (previously here) has a an ongoing series of interventions staged in front of film and television ad panels, photographing himself perfectly situated as the target of the pointed gun, arrow, or other weapon of choice in each poster. These Head Shots, as the series is called, are then digitally manipulated, adding splattered blood in a Tarantinoesque fashion. Definitely a departure from the cute characters he usually draws, but still, somehow, very Burgerman.
You might like his Korean Subway series, too.
Swedish artist Michael Johansson takes everyday objects apart and rejoins the pieces in a welded metal frame, coating them with a unifying layer of plastic, ultimately simulating the look of a snap-apart model kit, something Johansson is very familiar with having spent much of his childhood making toy models. There’s obvious humor in these, but the titles such as Toys’r'Us – Dingy Scale 1:1 and Engine Bought Separately leave it completely unambiguous.
And then there’s this aspect of his work…
These sculptural embroidered works by British artist Sally Hewett are intriguing, if a tad disturbing. But that’s just her point. Hewett is interested in the social and political history of the craft of embroidery and stitching, but she is also interested in the ideas of beauty. She writes on her website: “My embroidery and stitching practice centres on bodies, beauty and ugliness and the conventions that determine which is seen as which…I am interested in how we see things, how we interpret what we see and how the connotations of needlework and embroidery as a medium affect how the content is seen – is it seen as ugly, beautiful or funny?” You decide.
These pieces are made using quilting hoops that vary in diameter from just a couple of inches up to almost 20″. Inserted in the hoops to create the large bellies, bottoms, breasts, lips and more, is everything from stretched velvet, lycra, or cotton, to foam padding, hair and, of course, stitching…lots of stitching.
Photos courtesy of the artist; bottom photo by Jane Burns.
At the VVTs All-Russia Exhibition Center in Moscow last week, an upside down house had visitors in a tizzy. Similar in concept to Jean-François Fourtou’s Tombée du Ciel, this house (not sure who the artist/designer behind the project is) is larger and even includes a car hanging from the driveway. The multi-room structure was built upside down as a tourist attraction and was fully fitted with furnishings, kitchen, bath, and even food on the dining room table, all hanging from the ceiling, or, rather, floor…wait. It appears that at least in one of the rooms a video camera was inverted inside a cabinet (see third photo down) projecting the room live and right side up on a tv screen and, consequently, its visitors upside down. Confusing and fun.
Thanks Ramon and Eugene. (GMS)
Blaqk is a collaboration between Athens-based design duo Greg Papagrigoriou and Chris Tzaferos who goes by Simek. Their street art mixes geometric forms with typographic letterforms—much of which is calligraphy. Whether black on white or white on black, on gallery walls, building façades, or abandon lots, their graphic style definitely pops. You can see much more of their work on their site.
Last month at Art Basel Miami, Venus Over Manhattan Gallery curated an exhibition titled Piston Head: Artists Engage the Automobile. Fourteen cars converted into sculptures by well-known contemporary artists since 1970 were on view at the spectacular open-air parking garage, 1111 Lincoln Road, designed by Herzog & deMeuron. The exhibit included works by Keith Haring (top), Damien Hirst (dotted Mini Cooper), Kenny Scharf (3rd from top), Ron Arad (pressed car), Bruce High Quality Foundation (VW Beetles), Franz West’s 1970 Rolls Royce, as well as eight more artists.
And here in an unrelated yet related (in that he’s drawing on a car) video is Jon Burgerman doing his thing on a zipcar:
via Venus Over Manhattan
Click to enlarge
Tokyo-based teamLab is a group of ultra-technologists including programmers, user-interface engineers, mathematicians, CG animators, as well as architects, designers, artists and editors, who blur the boundaries of their respective fields to create and discover new ideas and push limitations. Presently, their interactive installation Homogenizing and Transforming World is part of the exhibition Distilling Senses: A Journey through Art and Technology in Asian Contemporary Art, at the Hong Kong Arts Centre. Individual balls floating within an enclosed space communicate to each other via wireless connection. They change color and emit different sounds when touched by visitors or bump into each other or other objects. The balls send color information to other balls which in turn spread the information to other balls, changing all the balls to the same color. The piece is a metaphor for the internet and globalization in general. People act as intermediaries for information which so quickly travels via the internet globally, transforming the world in an instant and unifying at the same time.
You can see the installation live through January 12, 2014 or in the video below anytime:
Click to enlarge
Brooklyn-based artist Duke Riley describes his work this way in his artist statement:
My work addresses the prospect of residual but forgotten unclaimed frontiers on the edge and inside overdeveloped urban areas, and their unsuspected autonomy. I am interested in the struggle of marginal peoples to sustain independent spaces within all-encompassing societies, the tension between individual and collective behavior, the conflict with institutional power. I pursue an alternative view of hidden borderlands and their inhabitants through drawing, printmaking, mosaic, sculpture, performative interventions, and video structured as complex multimedia installations.
His piece Trading with the Enemy seems to fit the bill perfectly. Riley trained 50 homing pigeons to travel from Havana to Key West, Fla. Half the flock were smugglers of Cuban cigars while the rest documented their travels on film. The cigar-laden pigeons were given names of notorious smugglers such as Pierre Lafitte, while the filmers were given names of famous film directors who have had run-ins with the law: i.e. Roman Polanski and Mel Gibson. I imagine there’s a certain thrill to subverting hi-tech drones with good old fashion homing pigeons. Riley’s connection to the birds goes back to his childhood, after rescuing one, letting it go free, and finding that it returned to him. Trading With the Enemy is part of an exhibit titled See You at the Finish Line currently at Magnan Metz in Chelsea. Two of the pigeons are for sale at the gallery along with the art. The show will run through January 11, 2014. For those who can’t make it in person, you can watch the video of the pigeons’ adventure, below.
Photos courtesy of MagnanMetz & The New York Times