Archive | Stuff We Like RSS feed for this section

Flederhaus: House of Hammocks

24 Jul

House of Hammocks, Hammock House, Vienna, Flederhaus, Heri & Salli ArchitectsHouse of Hammocks, Hammock House, Vienna, Flederhaus, Heri & Salli ArchitectsHouse of Hammocks, Hammock House, Vienna, Flederhaus, Heri & Salli ArchitectsThe Flederhaus—a pun off the word fledermaus which means ‘bat’ in German—is a fun structure in Vienna designed by architects Heri & Salli explicitly for hanging around and relaxing. The open building, situated in the Museum Quarter of the city, houses 28 hammocks on 5 floors that offer great views to one and all at no cost. The inviting hammocks are arranged to allow for meeting and interacting with neighbors. A fun public space for sure.

Photos by Mischa Erben courtesy of the architects.

Apex Predator Shoes: Fantich & Young

21 Jul

Apex Predator shoe sculptures with teeth/dentures as soles by Fantich and YoungApex Predator shoe sculptures with teeth/dentures as soles by Fantich and YoungApex Predator shoe sculptures with teeth/dentures as soles by Fantich and YoungEast London artist duo Mariana Fantich and Dominic Young who make up the studio Fantich & Young, create conceptual sculptures addressing “parallels between social evolution and evolution in the natural world.” The original Apex Predator—described as predators with no predators of their own, residing at the top of the food chain—tooth-soled shoe sculptures started with the Barker Oxford shoes inlaid with 1050 false teeth in their soles in 2010. These were used to accompany the Apex Predator Suit made of human hair and glass eyes for buttons. The Empire (Jimmy Choo heels) followed and, most recently, this year in fact, the Red Shoes Mary Janes are the latest addition to the series. Now the whole family can grip the ground, chomping their way around town. Creepy? Yes. But come on…pretty cool, too.

You can see the rest of Fantich & Young’s work here.

Form Scratch: Kolkoz

16 Jul

Form Scratch by Kolkoz at Art Basel 2014 for BallyForm Scratch by Kolkoz at Art Basel 2014 for BallyForm Scratch by Kolkoz at Art Basel 2014 for BallySwiss accessories luxury brand Bally has launched a year-long initiative expanding their commitment to art and design with their project titled Form Scratch presented during Art Basel last month. The project has three parts to it: the restoration of one of architect Jean Prouvé’s signature prefab nomadic structures; a collection of furniture by Swiss architect Pierre Jeanneret; and, lastly, a commission by French artists Benjamin Moreau and Samuel Boutruche of Kolkoz. That last part mentioned is the one this post is about. Drawing from their background working in video games and 3D digital imaging, the Kolkoz duo recreated the house’s elements as a flat wooden panel, much in the style of the model kits from my youth (and likely still today… it’s been a while since I’ve put together a toy model.) Being that the Jean Prouvé house is meant to be built by two people in a day, the artists flattened it out and playfully made it an oversized toy object. The installation is both fun as well as a document of the structure’s elements. Suspending it over the river Rhine makes it all the more humorous and eye-catching.

Here’s the event in all its fabulousness:

via notcot/mocoloco

Matt Reilly of Japanther: Skateboard Painting

14 Jul

Skateboard Painting, matt reilly, japanther, Mana Contemporary, performance art, abstract painting, cool artSkateboard Painting, matt reilly, japanther, Mana Contemporary, performance art, abstract painting, cool artSkateboard Painting, matt reilly, japanther, Mana Contemporary, performance art, abstract painting, cool artA couple of months back I made the trip out to Mana Contemporary (a surprising cultural hub in Jersey City) and witnessed Matt Reilly of Japanther—a band established by Reilly and Ian Vanek while students at Pratt and described by art reviewers as “art-rock installation paratroopers” —skateboard paint. Somewhere between Jackson Pollock’s drips and Aaron Young’s multi-motorcycle performance art piece Greeting Card, lies Reilly’s skate-painting. By adding paint to the wheels of his board with sponges and then showing off his skating skills, Reilly is able to create large, abstract paintings while putting on a mesmerizing show. The results are nicer than I would have imagined, and the process was fun to watch. You can see him in action below:

Top two photos: collabcubed. All the rest: Japanther

Stik: Stick Figure Street Art

8 Jul

Stik, British street artist paint stick figure graffiti, cute, fun, water towersStik, British street artist paint stick figure graffiti, cute, fun, water towersStik, British street artist paint stick figure graffiti, cute, fun, water towersWhen it comes to street art, it doesn’t get much cuter than Stik. The British graffiti artist based in London paints mouthless and noseless stick figure characters on walls, doors, water towers, and more, that despite their minimalistic quality exude warmth and charm. Sometimes in groups holding hands (see the two water towers we’re acquainted with in the East Village and Bushwick), and other times alone, these not-so-little guys are usually painted in black and white against solid bright colored backgrounds. In addition to his unauthorized work, the somewhat private Stik, who has been homeless at times, works with many charitable and human rights organizations. See? That good heartedness shines through in his art. Stik’s work can be seen in Europe, NYC, and even the Middle East and Japan. We are fortunate to have two of his works right in our neighborhood.

You can see more of his work here and an interview below:

All images courtesy of Stik except bottom left: Geof Hargadon via Brooklyn Street Art, and bottom right: Paul Whitehouse via Huffington Post London.

Çanakkale Observation & Broadcast Tower

2 Jul

canakkale observation and broadcast tower, Turkey, IND architects Power Companycanakkale observation and broadcast tower, Turkey, IND architects Power Companycanakkale observation and broadcast tower, Turkey, IND architects Power CompanyAt first glance, the winning design for a 100-meter-tall observation and broadcast tower set to be built in the city of Canakkale—on the northern part of the Aegean coast of Turkey—looks like the latest in cutting edge amusement park rides. Upon a closer look, the strikingly dramatic sweeping structure is a clever solution to the challenges of combining technological requirements of a broadcasting tower with recreational ones of a public space. The two Rotterdam-based architecture firms that formed the winning team, Inter.National.Design (IND) and Powerhouse Company, united all the functions and requirements in a single strong structure. Made of Cor-Ten steel, the looping design offers close-up panoramic views on all sides of both the city and forest as well as a visitor center that hovers above the trees before shooting off into the sky into antenna-mode. A future iconic landmark for sure.

via a10

Shadowing: Jonathan Chomko & Matthew Rosier

30 Jun

Playable City Award 2014, Shadowing, light installation by Jonathan Chomko and Matthew RosierPlayable City Award 2014, Shadowing, light installation by Jonathan Chomko and Matthew RosierPlayable City Award 2014, Shadowing, light installation by Jonathan Chomko and Matthew RosierI get a particular thrill out of exploring and discovering things on my own, by chance. I’m not a big fan of GPS and forever get annoyed at the level of detail on Mapquest or Google maps when trying to get directions. For me, part of the fun is making the effort to figure it out myself and the mistakes I may make in doing so are part of the adventure. So it’s not surprising that I like the concept behind Watershed’s Playable City Award in Bristol. In their second year, The Playable City Award aims at getting people to use technology to capture that element of surprise/fun and adventure instead of using it to  solely engineer our lives. They invite entrants from all over the world to submit ideas that use technology to create playful interactions connecting the people of the city and helping them engage with their surroundings in unexpected ways.

This year’s award of 30,000 pounds was presented to New York-based interactive designer Jonathan Chomko and Treviso-based architect/designer Matthew Rosier for their interactive light installation titled Shadowing. Using infrared tracking and triggered projections, the shadow of a previous passerby will be replayed to the next person who walks under a modified streetlight. The creators are hoping for a playful experience, though there is potential for a little creepiness, too, but they are working on ideas to avoid that as well as many more features before Shadowing is unveiled to the public on September 10, 2014.

I suppose you could say that by posting this I’ve spoiled the element of discovery and surprise, and you’d probably be correct. Sorry. Quick…stop reading! But, if your memory is as bad as mine, even if you happen to be one of the few people reading this who will be in Bristol come September, the odds of remembering this as you pass under a streetlight are quite slim.

If you’re not one to care about spoilers, you can see Chomko and Rosier’s animated prototype below.

Rona Pondick: Hybrids, Teeth, & More

26 Jun

Rona Pondick, Hybrids, sculpture, bizarre art, humorous art Rona Pondick, Hybrids, sculpture, bizarre art, Teeth, humorous art Rona Pondick, Hybrids, sculpture, bizarre art, teeth, humorous art I probably should know Rona Pondick’s work—after all she studied under Richard Serra and her impressive list of exhibitions include the Whitney, Brooklyn Museum, and MoCA in LA among many more art institutions worldwide—but I don’t believe I’ve ever come across it before. Fortunately, I stumbled upon it the other day online. I really like all of her work; both new and old. Pondick, a NYC-born and based artist, offers a feminist critique on Freudian theories of sexuality through her work. Her earlier pieces mostly depict abstractions of mouths and breasts in an array of mixed media. Her more recent sculptures are cast in a variety of metals and consist of human-animal or -plant hybrids, often strange and disturbing, suggesting a kind of metamorphosis, hence the name of one of her exhibits and subsequent publication: The Metamorphosis of an Object. You can see much more on her site.

Mentalgassi & Mundano: Pimp My Carroça

24 Jun

Pimp my carroça, Street Art, Mentalgassi and Mundano collaboration, Sao Paolo, BrazilPimp my carroça, Street Art, Mentalgassi and Mundano collaboration, Sao Paolo, BrazilPimp my carroça, Street Art, Mentalgassi and Mundano collaboration, Sao Paolo, BrazilThe German street art trio Mentalgassi (previously here) joined forces with Mundano in São Paulo, Brazil, to create this clever series of characters donning their customized trash backpacks for Pimp My Carroça, an environmental and cultural group that aims to add a little color and humor to the importance of recycling and not littering. The message is particularly on point with the hoards of tourists in town for the World Cup, leaving a trail of garbage behind.

via streetartnews

Sambre: Escalier de Secours & More

20 Jun

Sambre, French Street artist, Escalier de Secours, Fire Escape, Giant wood installation in Saint Pierre le Puellier Church, Orleans, FranceSambre, French Street artist, Escalier de Secours, Fire Escape, Giant wood installation in Saint Pierre le Puellier Church, Orleans, FranceSambre, French Street artist, Escalier de Secours, Fire Escape, Giant wood installation in Saint Pierre le Puellier Church, Orleans, FranceInspired by the half-timbered houses and architecture of Orleans, France, French artist Sambre (previously here) whose signature style involves using recovered wood in a variety of impressive installations, is in the process of building his latest work titled Escalier de Secours (Fire Escape in English) in the center of the Church of St. Peter the Puellier in Mairie d’Orleans. The exhibit officially opened at the end of May, though the enormous staircase was not yet completed, this completely intentional, inviting guests to experience the process. Sambre’s majestic and almost disproportionately large staircase offers discovery through ascension; new perspectives on the Church’s space and architecture. The artist doesn’t impose a single path, but invites visitors to make a choice among multiple possible routes, like the path of life chosen by man.

This intervention comes only two months after his last piece along the Seine in Paris (see bottom two photos), once again utilizing discarded materials instead of spray paint to create his sculptural street art. And shortly before that piece, he collaborated with Teurk and Run on OKube (see two photos on middle right side) for the Inuit Festival in Cergy.

So far, 2014 has been a very prolific year. I look forward to seeing what he comes up with this second half. Escalier de Secours will be up through July 13, 2014, if you happen to be in France this summer… lucky you.

Photos courtesy of Sambre & The Mouarf 

OK Go: The Writing’s on the Wall

18 Jun

OK Go's video for The Writing's on the Wall with anamorphic effects, cool sets, cool videoOK Go's video for The Writing's on the Wall with anamorphic effects, cool sets, cool videoOK Go's video for The Writing's on the Wall with anamorphic effects, cool sets, cool videoIt’s been a couple of years, but it comes as no surprise that OK Go’s latest music video for their new single “The Writing’s on the Wall” is amazing. It may even top all the others, if that’s possible. With one tricky optical illusion after another, the clip includes the anamorphic effects and styles of artists such as Felice Varini, Vik Muniz, Bela Borsodi, and one of our favorites, Boa Mistura. The project took roughly three weeks (looks like it would have taken even longer!) and fifty takes before wrapping. The last scene revealing the crew is terrific, adding yet another dimension, and the sense of joy at having completed the impressive project shines through. In addition, the playing with perspective (more than one way to see things) goes hand-in-hand with the somewhat sad lyrics, despite the upbeat tune.

Watch the video below. OK Go’s new album Hungry Ghosts, which includes this song, is due out in October.

via colossal and rollingstone

Tara Donovan: Index Cards & Acrylic Rods

16 Jun

Tara Donovan, Index Card sculptures, post-its, Pace Gallery 2014, cool artTara Donovan, Arcylic Rods, Drink Stirrer Sculpture, Pace Gallery 2014, cool artTara Donovan, large-scale sculptures made with index cards and acrylic rods, post-its, drink stirrers, Pace Gallery 2014, cool artIt was a spectacular day this past Saturday here in NYC, ideal for strolling through Chelsea and taking in a lot of art. To my delight most galleries still had great shows up and hadn’t yet reverted to their quieter summer group shows. Over at Pace, the amazing Tara Donovan (previously here) had two new large-scale sculptures. For over a decade, the NYC-born and based Donovan has taken volumes of everyday materials and turned them into impressive works. Whether toothpicks, drinking straws, paper plates, styrofoam cups, or pieces of mylar, Donovan, a MacArthur Genius Award recipient, layers, piles, or clusters these items with a precise repetition until these products assume forms that evoke natural systems. These two sculptures currently at Pace are no exception. The first room in the gallery welcomes you with what seem to be a group of conical rock formations, possibly of a volcanic sort but, upon closer inspection, the millions of 3″ x 5″ index cards stacked and glued become evident, proving, once again, her ability to create amazing effects through the accumulation of identical objects. The second room contains what looks to be an almost fluffy or furry sculpture, but in fact is made of thousands of acrylic rods of different lengths, quite the opposite of soft or fluffy. These “bursts” are interconnected much in the way coral appears to be. Donovan has experimented with these rods before, but this work is her largest of the series. Tara Donovan’s sculptures will be on exhibit at Pace Gallery through June 28, 2014 extended through August 15th!

Jenny Holzer: I Stay

11 Jun

Jenny Holzer typographic LED installation in Sydney, Australia, May 2014, I StayJenny Holzer typographic LED installation in Sydney, Australia, May 2014, I StayJenny Holzer typographic LED installation in Sydney, Australia, May 2014, I StayNew York based artist Jenny Holzer (previously here) recently unveiled her newest typographic LED installation in Sydney. I Stay (Ngaya ngalawa), as the permanent site-specific installation is titled, takes over all four sides of one of the 19-meter steel columns beneath 8 Chifley Square. Globally recognized for a body of work that is responsive to history and place through language that speaks to the community, Holzer has chosen texts by numerous Indigenous authors. They span the past century and represent a broad range of sources. Some are poems, some are songs, and some much longer texts. This site-specific work enlivens what was essentially a concrete wind-tunnel, providing a human, emotional, and political focus to the corporate building and neighborhood through the use of blue, green & red diodes vertically streaming its words.

Photos: Brett Boardman

 

Holzer, who is globally recognised for a body of work that is responsive to history and place with language that speaks to the community – See more at: http://www.illumni.co/landmark-artwork-sydney-jenny-holzer-unveiled-8-chifley/#sthash.dUR2HG0n.dpuf
Holzer, who is globally recognised for a body of work that is responsive to history and place with language that speaks to the community – See more at: http://www.illumni.co/landmark-artwork-sydney-jenny-holzer-unveiled-8-chifley/#sthash.dUR2HG0n.dpuf
Holzer, who is globally recognised for a body of work that is responsive to history and place with language that speaks to the community – See more at: http://www.illumni.co/landmark-artwork-sydney-jenny-holzer-unveiled-8-chifley/#sthash.dUR2HG0n.dpuf

Red Gateway, Cergy-Pontoise: Dani Karavan

5 Jun

The red gateway pedestrian bridge, Cergy-Pontoise, France, designed by Dani Karavan. Cool red bridgeThe red gateway pedestrian bridge, Cergy-Pontoise, France, designed by Dani Karavan. Cool red bridgeThe red gateway pedestrian bridge, Cergy-Pontoise, France, designed by Dani Karavan. Cool red bridgeGoogling around for something else I came across this nice looking pedestrian bridge. “The Red Gateway” is one of the twelve stations which make up the “Axe Majeur” in Cergy-Pontoise, a suburb northwest of Paris. Designed by Israeli architect Dani Karavan (whose other work is definitely worth a look), the vibrant footbridge is the connecting piece to the rest of his vision for the town. From the amphitheater spanning over the gardens and Oise River to the Leisure Center, this Passarelle is clearly a favorite among photographers, judging by all the photos on flickr.

Photos top to bottom: RePiEd; vphotographies; Dalbera; & ShadowsOliv

via flickrhive

 

Shadi Ghadirian: Like Every Day

2 Jun

Shadi Ghadirian, Contemporary Iranian Photography, Like Every Day, Women and domesticity, role in societyShadi Ghadirian, Contemporary Iranian Photography, Like Every Day, Women and domesticity, role in societyShadi Ghadirian, Contemporary Iranian Photography, Like Every Day, Women and domesticity, role in societyShadi Ghadirian, Contemporary Iranian Photography, Qadar, Women and domesticity, role in societyIranian photographer Shadi Ghadirian lives and works in Tehran. Her photographs, though at first glance somewhat humorous, reflect what she sees as “the duality and contradiction of life.” After her marriage, inspired by her wedding gifts, Ghadirian photographed her series Like Every Day in which each of these photographs depicts a figure draped in patterned fabric in place of the typical Iranian chador. Instead of a face, each figure has a common household item such as an iron, a tea cup, a broom, or a pan, depicting the daily routine of many of the women that surround her yet, despite its focus on Muslim women, its relevance extends to women in other parts of the world as well. An earlier series titled Qajar (bottom two photos) is equally smart, reimagining the traditional Iranian portraiture of the late 19th century, but the veiled women carry boomboxes and other modern-day items.

via tribeart

Susi Kenna: Nail Art History

30 May

Nail Art, Art History, Jean Dubuffet, Susi KennaNail Art, Art History, Jean-Michel Basquiat, Susi KennaNail Art, Art History, Picasso, Stuart Davis, Shantell Martin, Susi KennaDaniela showed me these amazing nails a couple of nights ago. I’m not one to wear nail polish—it’s a stubby-fingers issue combined with a ridiculous feeling of nail suffocation—or even appreciate it much, but these literal works of art painted on the small fingertip canvases definitely wowed me. Art lover (and nail art lover) Susi Kenna has had her nails painted numerous times in the past two years in the style of paintings by famous artists ranging from Pablo Picasso and Jean Dubuffet, to more recent artists including Shantell Martin and Barry McGee. It’s not clear to me whether Kenna goes in to her various nail artists (Mei Kawajiri, Vanity Projects, and Jessica Washick) armed with art, but it appears that may be the story. In any case, Susi Kenna has documented the nail art on her hands in a tumblr worth a peek.

Ryan & Trevor Oakes: Concave Easel

28 May

Oakes Twins, Ryan and Trevor Oakes, Double Vision, Compounding Visions, Concave Easel, MoMath exhibit, Flatiron BuildingOakes Twins, Ryan and Trevor Oakes, Double Vision, Compounding Visions, Concave Easel, MoMath exhibit, Flatiron BuildingOakes Twins, Ryan and Trevor Oakes, Double Vision, Compounding Visions, Concave Easel, MoMath exhibit, Flatiron BuildingIdentical twins Trevor and Ryan Oakes engage in probing studies of visual perception and light through material investigations, discovering new methods in the representation of visual reality through their optical obsession. The duo have constructed a concave easel that avoids the distortions that occur when an image is traced onto a flat canvas. Their low-tech method, as I understand it, involves crossing their eyes until an object doubles next to the paper’s edge, floating over the subject matter transparently, which allows them to “trace” it much in the way some painters used camera obscuras with mirrors and pinhole projections during the Renaissance to trace their subjects. But the Oakes’ variation includes the curvature which is consistent with their findings that human vision is spherical. This optical doubling only has an expanse of 2.5″, so they slice their paper in pieces of that width, which are then joined together when finished to present the final drawing/painting. The plaster helmet attached to the easel is movable, but helps keep the head in one spot for extended periods of time.

Presently, the Oakes Twins have an exhibit of their work titled Compounding Visions at MoMath in NYC which runs through July 21, 2014. In the meantime, you might spot them in the vicinity with their easel tracing the Flatiron Building. In the video below, the twins explain their technique directly, which, if you have 5 minutes, is probably the best way to understand it.

Photos courtesy of the Oakes, except top image by Aymann Ismail for AnimalNY.

Concrete Poetry: Karl Holmqvist

22 May

Concrete Poetry, Visual Poetry by Karl Holmqvist, West Village, Gavin Brown's Enterprise, murals, street art, typographic street artConcrete Poetry, Visual Poetry by Karl Holmqvist, West Village, Gavin Brown's Enterprise, murals, street art, typographic street artConcrete Poetry, Visual Poetry by Karl Holmqvist, West Village, Gavin Brown's Enterprise, murals, street art, typographic street artThe past few weeks I’ve spent quite a bit of time in the West Village and occasionally found myself on streets I hadn’t visited in a while. One of these was Leroy Street over by Washington where I came across three typographic murals, or, more accurately, concrete poetry, on the exterior of Gavin Brown’s Enterprise Gallery. It’s hard to explain the happy feeling playful or stylish or clever typography instills in me. That might be because it’s not really logical, it’s just an emotion. It goes as far back as my childhood when the IBM logo or the Design Research logo (and store in general) had a similar effect on me. Even the subway graffiti, not the black tags all over the interior of the cars that created a gloomy feel, but the occasional spectacular tag on the outside of a train car, large, colorful, and with dimension, would inspire me to run home and title my French homework “FRENCH” in block letters or bubble type, much to the dismay of my teacher who probably could have done without the header altogether but, at a minimum, I’m sure would have preferred it read “FRANCAIS”.

Anyway, back to the Concrete Poetry. Defined as “poetry in which the typographical arrangement of words is as important in conveying the intended effect as the conventional elements of the poem, such as meaning of words, rhythm, rhyme and so on,” another term for it is Visual Poetry. After a little research I discovered that these street pieces were created by Swedish artist Karl Holmqvist who is known for his text-based works, poetry, and readings. I don’t claim to know what these mean, but I enjoyed them and the surprise of turning a corner and seeing them there. Make of them what you will.

Follow

Get every new post delivered to your Inbox.

Join 1,171 other followers