Website for The King Center: C&G Partners

The King Center Imaging Project Website, C&G Partners, Martin Luther King, Jr.The King Center Imaging Project Website, C&G Partners, Martin Luther King, Jr.The folks at C&G Partners, a New York City design firm, have just launched a new website for The King Center Imaging Project, an initiative of JP Morgan Chase with The King Center in Atlanta. On this Martin Luther King, Jr. Day, 200,000 documents including letters, speeches, drafts, notes, photos and more, are now available for free to the general public.

The site builds on the graphic identity established for the project’s related traveling exhibition. There is an overwhelming amount of information which has been impressively organized in a welcoming and user-friendly way. Definitely worth exploring.

Thanks Jonathan!

Peter Emerick: Koan Grids

Koan Grids, Peter Emerick, Photographs of traffic cones, traffic cone art, collabcubedKoan Grids, Peter Emerick, Photographs of traffic cones, traffic cone art, collabcubedKoan Grids, Peter Emerick, Photographs of traffic cones, traffic cone art, collabcubedKoan Grids, Peter Emerick, Photographs of traffic cones, traffic cone art, collabcubedClick to enlarge

New Jersey based artist Peter Emerick has been photographing traffic cones for several years. His Koans series encompass grids and single photos of all kinds of traffic cones photographed from a birds eye view. They are surprisingly varied and that particular angle offers up interesting abstractions of the ubiquitous object.

Emerick, together with artist Erik Sanner—who is also fascinated by traffic cones and includes them in his artwork, as well as apparently having given East Village Traffic Cone Viewing Tours a couple of years back—are putting together The Traffic Cone Occasional and are looking for artists who create art with traffic cones. If you are one such artist, you can contact them via one of their websites, here or here.

For more traffic cone art, see our previous post here.

Sebastian Martorana: Marble Sculpture

contemporary marble sculpture, towels, NYU Steinhardt. 80WSEcontemporary marble sculpture, towels, NYU Steinhardt. 80WSEcontemporary marble sculpture, Martorana, Baltimore artist, LEGO, pillow, shirtClick to enlarge

If you follow this blog you may be thinking “MORE realistic stone sculpture??” And the answer is “Yes.” What can I say, I get a kick out of it and am impressed by the skill. I was walking by Washington Square Park today and happened to spot these marble towels through the window of 80WSE a New York University gallery. They made me smile. The draping is so well done and having placed them on towel racks made them all the more trompe l’oeil-ish. I went in, got the artist’s name and googled him out.

Sebastian Martorana is a stone carver and illustrator based in Baltimore, Maryland. His work was recently featured in the 40 Under 40 40th Anniversary exhibit of Renwick Gallery of the Smithsonian.

From top to bottom, left to right:
Yours, Mine, Ours; Shed; Impressions; Homeland Security Blanket; (couldn’t find name of Lego figure or bag); Frustration 81/2 x 11. Photos courtesy the artist and Contemporary Wing.

Sebastian Martorana’s work is part of a group show currently at 80WSE through December 22, 2011.

If you like these sculptures you might also enjoy Chris Mitton and Vlad Berte.

Dale May: Lego Wars

Lego, Photographs, Nostalgia, Star Wars, Stormtroopers, Dale May, C3POLego, Photographs, Nostalgia, Star Wars, Stormtroopers, Dale MayLego, Photographs, Nostalgia, Star Wars, Stormtroopers, Dale May, Darth VaderClick to enlarge

New York based photographer Dale May is internationally renowned for his commercial photography, from celebrity portraits to advertising. His Lego Wars series takes a slight departure from his usual subjects. A photographic study of popular culture combined with commercial branding and a bit of nostalgia, May revisits the tiny plastic Lego toys of his childhood and photographs them to stand tall and demand attention.

These prints are crafted in archival acrylic to give the work a high-polished glossiness reminiscent of the Lego pieces themselves. Very slick.

The Lego Wars are being exhibited at Samuel Owen Gallery in Greenwich, Connecticut starting December 15th through January 19, 2012.

Love Motel for Insects: NYC

Science, entomology, light installation, art, bugs, insects, teaching, ballengee, collabcubedScience, entomology, light installation, art, bugs, insects, teaching, ballengee, collabcubedClick to enlarge

Both an art installation and a life science project, Love Motel for Insects is an innovative interactive outdoor educational event created by Brandon Ballengée. Since 2001 Ballengée has been exhibiting his Love Motels worldwide including India, Ireland, and Italy, and now, along with Urban Art Projects, he’s hoping to bring Love Motel for Insects to New York City.

Using ultra-violet lights on large black canvases these installations attract insects and create an opportunity for viewers to interact with rarely seen nocturnal arthropods. This event, combined with ancillary educational programming referred to as Bug Love, hopes to inform the general NYC public about important environmental issues as well as inspiring kids and getting them excited about science, art, and the environment.

If this sounds like something you’d like to see or be a part of, head on over to their kickstarter page and watch the video, heck, maybe even make a donation. They have four days to go to reach their goal and are so close to it!

via luminapolis

Hello Wood Festival 2011: Ebéd

Wood Festival, Budapest, typography, type, lunch, shadowWood Festival, Budapest, typography, type, lunch, shadowWood Festival, Budapest, typography, type, lunch, shadow, sculptureWhat appears to be an abstract wood sculpture made up of a cluster of two-by-fours painted red, is exactly that for 23 hours out of the day. The sculpture, created as part of the Hello Wood Festival in Budapest this past July, was one of the three “typography team” projects (there were architecture teams and film teams too) made by students from Hungarian Universities. Titled Ebéd (‘lunch’ in Hungarian), this structure was designed to form the word ‘ebéd’ in a pixelated font, using the rays of the sun to highlight it in the negative space of the shadow precisely at 1pm: lunchtime! The rest of the day the sculpture showed a random system of shadows. Very clever, I’d say.

The team was led by graphic artist Áron Jancsó, with team members, Krisztina Bogó, Péter Magda, and Gabriella Karácsonyi.

Photos courtesy Hello Wood’s facebook page.

Pharmacophore: Architectural Placebo

modern dance, inflatable sculpture, storefront for art and architecture, HAt, Silas Reinermodern dance, inflatable sculpture, storefront for art and architecture, HAt, Silas Reinermodern dance, inflatable sculpture, storefront for art and architecture, HAt, Silas ReinerClick to enlarge

Last night, the three of us strolled over to the Storefront for Art and Architecture here on Kenmare Street in NYC, to catch the last 20 minutes of the sold-out dance performance Pharmacophore: Architectural Placebo from the street. Storefront’s fun cut-out façade, which opens the small sliver of a space to the sidewalk, allowed us to enjoy the rather unique dance performance. A collaboration between designers Seth Harrison and Ariane Lourie Harrison of Harrison Atelier (HAt) and choreographer Silas Riener. The third installment in HAt’s Pharmacophore series, the performance, along with the installation, explore the cultural and philosophical economy that surrounds medicine technology and the human prospect in the 21st century.

From the creators:
The installation at Storefront, incorporating set and costumes, evokes a hybrid pharmaceutical-cultural landscape: both a medical waiting room with inflatable “plants” and a radiological suite in which the audience sits apposed to translucent glass. The installation consists of 24 eight-foot, laminated glass and stainless steel structures, arrayed along the back wall of the gallery. Contoured seats are dotted with inflatable forms that, when unfurled, become spatializations of pharmacophores. The inflatable set pieces are used as costumes and props, and audience members use them as cushions.

Truthfully, we did not see enough of the dance performance to justify an opinion, but what we did see, we liked. The Merce Cunningham dancers pranced, tumbled and gracefully walked with their fun inflatable tubular costumes that match the props and seat cushions in the beautifully glowing blue setting. We loved everything about the installation: the appropriately sterile pharmaceutical feeling evoked by the lighting and plastic inflatables; the clear Muji raincoats that acted as lab coats and were worn by staff; the seats with their mod-waiting-room feel; but most of all, the way it all worked so well together and successfully integrated with the space. And if that wasn’t enough, Baryshnikov was in the small audience!

Pharmacophore: Architectural Placebo will be performed twice a night through this Wednesday, November 30th. Tickets are free, but reservations necessary. And then there’s always the street view, too, if you want to use the stroll-by approach. The installation, sans performance, will continue on view through December 3rd.

For those who can’t attend, below is a short video of the previous performances in the Pharmacophore series:

Some Guy: Works on Paper

book text collages, redacted text, someguy, Brian Singerbook text collages, redacted text, someguy, Brian Singerbook text collages, redacted text, someguy, Brian SingerSan Francisco artist Brian Singer, who goes by Some Guy, explores the printed word using books and their pages with whiteout or ink in his Works on Paper.

From the artist’s statement:
I’m exploring the printed word as a visual representation of information, attempting to uncover new meaning in what is slowly becoming an outdated form. Crossing out the entirety of a written text while exposing only selected words changes the perception of the original message. Revealing word frequency adds another layer and opens new paths to understanding.

Reminiscent of Jenny Holzer’s Redaction Paintings, Some Guy is actually doing the opposite by focusing, in some cases, on words that might be offensive or censored in well known texts. I like everything about these, from the concept to the texture  (as well as the typographic aspect), if a bit obsessive in nature.

From top to bottom:
Knowledge 172, Wrath 198 and detail; 9 Unicorns and detail; 212 Slaves and detail; The Catcher in the Rye and detail; Love, Evil see video below.

Also interesting are Some Guy’s mixed-media pieces, made from flyers stapled to telephone poles that have been weathered and rusted and reassembled into collages including his Bullseye Triptych commissioned by Target.

You can watch the short version video of Love, Evil — the full video is 30 minutes long — the King James Version of the Bible with all words crossed out except ‘Love’ and ‘Evil’.

Some of Some Guy’s Works on Paper can be seen as part of the Transmit exhibit at den contemporary in Los Angeles through December 23, 2011.

Architects of Air: Luminaria

Mirazozo, Miracoco, Light installation, inflatable structuresMirazozo, Miracoco, Light installation, inflatable structuresLuminaria, Light installation, inflatable structuresClick to enlarge

The British company Architects of Air is based in Nottingham UK in a 4000 sq ft former textile workshop. There, since 1992, they spend 6 months out of the year creating luminariums and the other 6 months touring to several countries exhibiting them. “What is a luminarium?” you may be asking yourself right about now. Luminaria are monumental inflatable structures that contain a maze of winding tunnels and soaring domes displaying the beauty of light and color. There are six different designs each made up of about 20 elements zipped together on site to occupy a 1000 sq. meter area. The most recent design is Miracoco which was launched this past summer, 2011, but there were 4 other models that toured this summer as well.

They all look spectacular to me. Architects of Air have mounted these  structures at 500 exhibits in 37 countries. Though I see on their timeline that they’ve had installations in New York in the 1990s, being that I missed those I vote for a summer 2012 NYC installation. Or maybe as part of next year’s Bring to Light Festival.

You can see many more photos on their site and on flickr.

Luzinterruptus: Walking in the Rain

Light installation in Madrid, rainboots, tribute to rain, street interventionLight installation in Madrid, rainboots, tribute to rain, street interventionThe anonymous Spanish art collective Luzinterruptus like to use light as a raw material and the dark as their canvas to carry out urban interventions in public spaces and draw attention to problems in the city that often go unnoticed by people as well as the authorities.

Their most recent intervention, Walking in the Rain, took place on October 26th, the first day of rain after a completely dry summer in Madrid. In celebration of the rain and, thus, cleaner more breathable air, Luzinterruptus placed 50 illuminated rainboots in Parque del Oeste for a 10-hour period as encouragement to others to put on their own boots and walk happily through the rain.

You may also want to take a look at their two other recent interventions: Under Nuclear Threat and Public Art that you Fancy Touching.

Leon Keer: Lego Army Chalk Street Art

Amazing 3-d Chalk drawing, Lego, Sarasota, Leon Keer, Planet StreetpaintingAmazing 3-d Chalk drawing, Lego, Sarasota, Leon Keer, Planet StreetpaintingAmazing 3-d Chalk drawing, Lego, Sarasota, Leon Keer, Planet StreetpaintingClick to enlarge

This has been making the rounds on facebook but I just came upon a whole set of images from the artist. The amazing Lego Army 3-D chalk drawing is by Dutch artist Leon Keer and the artist collective Planet Street Painting created for the Sarasota 2011 Chalk Festival in Florida. The drawing, based on the famous terracotta sculpture army of Chinese Emperor Qin Shi Huang, measures 30 x 40 feet and is drawn in such a way to fool the eye with depth and perception.

Apparently, there is a link between an 8-foot-tall Lego man that washed up overnight on October 25th at Siesta Key beach and Leon Keer’s drawing. Clever publicity stunt or coincidence? Either way, a very impressive feat.

Photos: Leon Keer’s flickr and Herald Tribune

Diane Landry: Knight of Infinite Resignation

water bottle art, light, motion, installation, cool, Landry, Knight of Infinite Resignationwater bottle art, light, motion, installation, cool, Landry, Diane Landry lives and works in Quebec. Many of her works call attention to the threat on the earth’s clean water supply. In her sound and automation installation Knight of the Infinite Resignation, the 237 bottles used are filled with sand making the bottles dried-up and sterile, at the same time acting as hour glasses. There are allusions to the 12 hours in a day and 12 months in the year, as well as windmills and stars.

From the artist’s site:
The short-sightedness of human management of natural resources is made pitifully obvious by the work’s evocation of cosmic time, in comparison with which the human lifespan and even the existence of the species seem simply irrelevant. And there is something terrifying about this assemblage, which is so cold and serene, so unperturbed by the viewer’s presence.

via asiapacific

CHIP House: Energy Efficient Prefab

solar power, sustainable housing, energy efficient, Sci-Arc, CaltechSustainability, Sci-Arc, Caltech, Solar Decathlon, prefab houseClick to enlarge

With its insulation on the outside, CHIP (Compacted Hyper-Insulated Prototype) seems to have been a big draw at this year’s Solar Decathlon in Washington DC. Designed by a team of over one hundred Sci-Arc and Caltech students, CHIP is a prefab, net-zero solar-powered house designed to challenge every architectural and engineering preconception regarding the net-zero-energy home. The house includes a full kitchen and bath, as well as an elevated platform as the sleeping area which also provides a nice view of the rest of the house, from above, and a view out the large window. Because the insulation is on the outside—which is apparently an inexpensive and effective way to blanket the house and keep it warm—the interior has its framing exposed and allows for many built-ins and furniture storage.

The puffy, energy-efficient house will be on display at the Sci-Arc Library in Washington DC through December 16, 2011, if you’d like to see it in person. For the rest of us, there’s the video below:

Photos: CHIP, Plataforma Arquitectura, CHIP2011 flickr

via Plataforma Arquitectura

Naoko Serino: Soft Sculpture

Jute, textile, soft sculpture, Japan society, naoko serino Jute, textile, soft sculpture, Japan society, naoko serinoJute, textile, soft sculpture, Japan society, naoko serinoClick to enlarge

Right now through mid-December there’s an intriguing exhibit at the Japan Society, here in New York, called Fiber Futures: Japan’s Textile Pioneers. I’ve yet to see the show, but the images look very interesting; not your average textile design.

One of the artists featured in the show is Naoko Serino whose soft sculptures are quite impressive. She describes her work as fiber art: three-dimensional expression using jute that contains light and air. Some of her works are small individual pieces, while others are large-scale installations. It all looks delicate yet has an imposing presence.

You can see Serino’s installation Generating–8 (third and fourth images down from top) at the Japan Society through December 18, 2011, along with the work of several other Japanese textile pioneers.

via the Japan Society, via my mom

The Tidy Street Project

Energy consumption, info graphic, street art, Urbanized the filmEnergy consumption, info graphic, street art, Urbanized the filmClick to enlarge

I went to see the new documentary Urbanized—the third film in Gary Hustwit’s trilogy starting with Helvetica and followed by Objectified—which looks at city planning issues and stresses the importance of intelligent urban design for the immediate future when 75% of the population is estimated to inhabit cities by 2050. It’s a great film and I highly recommend it. There’s a lot more that could be said about the film, but instead I wanted to share a project that was featured and relates more to art, design, and typography: The Tidy Street Project.

During March and April 2011, participating households on Tidy Street, in Brighton, UK, recorded their electricity consumption. Each day the participants’ electricity usage over the previous 24 hours was marked; and each week participants could choose to add another comparison line that showed how their electricity consumption compared to another region in the UK or even a different country. The residents, in collaboration with the local graffiti artist Snub, produced an engaging street infographic that stimulated the street and passersby to reflect on their electricity use. In Urbanized, several of the participants are interviewed as well as the project creator, Jon Bird from Open University. It was interesting to see the enthusiasm in the project and how the tenants were made aware of which appliances used the most electricity as well as a general awareness on how to lower their consumption, resulting in a 15% usage reduction.

Definitely a fun way to get people involved and interested.

The Tidy Street Project is part of CHANGE, an EPSRC funded research collaboration between The Open University, Goldsmiths, Sussex University and Nottingham University.

Photos courtesy of The Tidy Street Project, Sare, thelastretort’s flickr, Kevan’s flickr, and boxman’s flickr.

J. Mayer H.: Rapport

Berlin, J. Mayer H. Installation, Berlinishe Galerie, collabcubedBerlin, J. Mayer H. Installation, Berlinishe Galerie, collabcubedClick to enlarge

The German architectural firm J. MAYER H., founded by Juergen Mayer H., has designed an installation for the Berlinische Galerie titled Rapport: Experiments with Spatial Structure. Data security patterns have been printed in an unimaginably large point size on carpeting which adorns both the floor and walls of the museum’s 10-meter high entrance hall. The large, somewhat abstract shapes created by the oversized numbers, results in a flickering impression and transforms the rigid white cube into a playful scenario negating its strict geometry.

The word “Rapport” has multiple interpretations and is meant to be ambiguous.

From the architects:
As a specialist German-language term from textile manufacturing, it refers to the serial pattern of the installation. On the other hand, in the military field the term “Rapport” means a “dispatch”, while in psychology it describes a human relationship in which those involved convey something to the others. In this sense it also refers to the starting material of the installation: data security patterns, which are used, for example, on the inside of envelopes. In this case, they stand for confidential communication between two parties.

The installation will be up through April 9, 2012 at the Berlinische Galerie, in Berlin, of course.

via city vision

Ernesto Neto: Faena Arts Center

art installation, Ernesto Neto, Buenos Aires, contemporary artart installation, Ernesto Neto, Faena Arts Center, contemporary artClick to enlarge

Brazilian artist Ernesto Neto creates installations placing the spectator at the center of the action, making the interaction a key part of his art. His abstract constructs often take up the whole exhibition space creating spatial labyrinths from yarn, rope, fabric and polythene foam as well as spices, such as saffron and cloves, tucked into pouches that hang down at various points. The spectator typically is invited to touch, smell and enter the space.

Neto’s current exhibit at the Faena Arts Center in Buenos Aires fits the profile perfectly. The hundred-year-old Faena Arts Center was one of the country’s first big mills producing close to a thousand tons of wheat a day. Having retained the structure’s original ceiling height, as well as its generously proportioned windows and arches, it certainly provides a spectacular setting for Neto’s latest impressive and imposing sculptural installation.

Ernesto Neto’s exhibit will be up through November 2011.