Empire Drive-In: NY Hall of Science

Empire Drive-In at the New York Hall of Science in Corona, Queens. Jeff Stark, Todd Chandler, Junkcar Drive-in, Upcycling, re-use, film, NYC eventEmpire Drive-In at the New York Hall of Science in Corona, Queens. Jeff Stark, Todd Chandler, Junkcar Drive-in, Upcycling, re-use, film, NYC eventEmpire Drive-In at the New York Hall of Science in Corona, Queens. Jeff Stark, Todd Chandler, Junkcar Drive-in, Upcycling, re-use, film, NYC eventClick to enlarge

Lately, each consecutive summer in NYC seems to top the last in offerings of outdoor film screenings. Locations range from parks, to restaurant backyards, to rooftops and even beaches. And now, the concept is extending into the fall with an additional twist: a drive-in. Not just your usual run-of-the-mill drive-in, which in itself would be cool and intriguing enough, but Empire Drive-In is a junk car drive-in, upcycling wrecked cars rescued from junkyards and repurposing them as seats for audience members to climb into, and onto, while watching films projected on a 40-foot screen made of salvaged wood. The masterminds behind the project—which will be held outside the New York Hall of Science in Corona Park, Queens, starting October 4th and running though the 20th—are Jeff Stark (whose name seems to be associated with many an interesting NYC event) and Todd Chandler. The two Brooklyn-based artists have previously created other Empire Drive-Ins, most recently last year at the Abandon Normal Devices Festival in Manchester, UK. Stark and Chandler, along with a team of other artists and craftspeople have set out, in this age of consumerism, to create a sense of possibility  by focusing on re-use, designing something new and special while salvaging and repurposing waste. In cleaning up the cars, which will have stereo audio transmitted via radio directly to each car, the crew found all kinds of interesting personal artifacts from car deodorizers to letters, which they have chosen to keep in the cars to “create a story”. The audience is urged to explore.

Opening night promises to be fun with a 30-Pianists-on-Casio-keyboards performance, in addition to a stellar line-up of films from Buster Keaton, Charlie Chaplin, and Oliver Hardy, to Jim Jarmusch’s Night On Earth. You can see the rest of the schedule here.

All photos & video courtesy of Empire Drive-In

via gothamist

Artist’s Face – Balloons: Laurina Paperina

Laurina Paperina, Artists BalloonsLaurina Paperina, Artists BalloonsLaurina Paperina, Artists BalloonsClick to enlarge

Last Thursday evening I went to Chelsea for the launch of the Fall Season and openings at many of the galleries. At Freight+Volume, as part of a group show titled “The Decline and Fall of the Art World, Part II” is where I had my first look at Italian artist Laurina Paperina‘s humorous work that pokes fun at the art world, including herself. Her short animated episodes titled “How to Kill the Artists” (see a sample below) were making viewers laugh out loud in some cases, and now, looking at her website, I see that she has variations on the theme. Her witty series Artist’s Face – Balloons, charmingly captures these artists and their work style on balloon heads, or, more accurately, on photos of people holding up balloons in front of their heads. From Murakami and Banksy to Keith Haring and  Frida Kahlo. Paperina states in her bio that she “does not want to make serious art.” I think she has met her goal.

Big Fun: Chris March for Target

fun wigs, Big Fun Wigs by Chris March of Project Runway for Target, Halloween Costumes, Goofy wigsfun wigs, Big Fun Wigs by Chris March of Project Runway for Target, Halloween Costumes, Goofy wigsfun wigs, Big Fun Wigs by Chris March of Project Runway for Target, Halloween Costumes, Goofy wigsClick to enlarge

There’s that slight nip in the evening air these days and before you know it Halloween will be upon us. Em sent me a link to a line of fun wigs designed by Project Runway veteran Chris March for this Halloween season at Target. The wigs are aptly called “Big Fun“.  March designed eight styles: Geisha, Greaser, Starlet, Witch, Medusa, Monster Bride, Mohawk and Afro. The limited-time only collection, which debuted yesterday in stores and on Target.com, features fun foam wigs, each for $20 or less. I’d imagine these will be a big hit.

Machine Home: AdHoc MSL

Machine Home by adhoc msl, murcia, spain, david frutos photographer, Machine Home by adhoc msl, murcia, spain, david frutos photographer, Machine Home by adhoc msl, murcia, spainClick to enlarge

The Machine Home  in Murcia, Spain, designed by adhoc ml, can be described as a cross between the traditional dwelling and the caravan. It is easily transportable and can be put up anywhere. All it needs is a minimal foundation and a connection to MEP installations, be these existing urban services or mechanisms making for the module’s total self-sufficiency: potable and irrigation water, plumbing and purifying systems, telecommunications lines and energy-capturing devices.

The Machine Home has three main parts. The central area is for shared household activities. One of the side spaces contains the sanitary utilities on ground level and the other installations above. The other lateral space is a double-height storeroom. The central room has an overhead hole that the inhabitants climb up to, by means of two ladders, to get to the bedrooms.

Once anchored to the ground, the module proceeds to colonize the place and interact with it through a series of added elements constructed on the site: a pergola, a terrace deck, an outdoor kitchen, a pond. They bring the interior domestic space to the exterior environment by means of a double hydraulic door system that helps reinforce the disturbing machine image of the house.

Photos courtesy the architects and David Frutos.

#GettyStation: Chelsea Art Installation

Getty Station art installation in Chelsea, Sheep Station, 239 10th Avenue, Michael Shvo, Francois-Xavier Lalanne's surrealist sculpted sheep, public art, nycGetty Station art installation in Chelsea, Sheep Station, 239 10th Avenue, Michael Shvo, Francois-Xavier Lalanne's surrealist sculpted sheep, public art, nycGetty Station art installation in Chelsea, Sheep Station, 239 10th Avenue, Michael Shvo, Francois-Xavier Lalanne's surrealist sculpted sheep, public art, nycClick to enlarge

Driving uptown (yes, once in a while I have access to a car and actually drive in the city) I noticed, at a red light, a bizarrely rural and bucolic sight in the middle of Chelsea. What used to be a LukOil gas station up until what seemed very recently, was now an impressively landscaped abandoned gas station––complete with a hilly lawn, neatly trimmed bushes, and a white fence––without car access or paved driveway to the pumps. I pulled over to take a look, as well as some photos, and tried to get the scoop from the guard pacing the lawn. All the guard knew, or cared to share, (I imagine the poor man gets bombarded with questions by the minute) was confirmation that, indeed, this was an art installation and he pointed to the sign “#GettyStation” and said “Check twitter.”

I googled instead and discovered that 239 10th Avenue, where the gas station currently resides, was purchased by developer (and art collector) Michael Shvo who will be building yet another apartment building right by the High Line. During construction, Shvo has decided to use the space to showcase public art, with the first exhibit starting Monday, Sept. 16th, titled “Sheep Station” featuring sheep sculptures by the late French artist Francois-Xavier Lalanne grazing on the lawn. Shvo plans to continue with exhibits throughout construction and eventually integrate them into the new building. So keep an eye out on the corner of 24th Street and 10th Avenue in the coming year. For now, “Sheep Station” is due to be on exhibit through October 20th. Not bad for a construction site.

Top photo: Stefan Hengst. All others: collabcubed

Abel Barroso: Satirical Wooden Sculpture

Abel Barroso, Contemporary Cuban Art, Satirical wooden sculptures with themes of social borders and immigrationAbel Barroso, Contemporary Cuban Art, Satirical wooden sculptures with themes of social borders and immigration, pinball machinesAbel Barroso, Contemporary Cuban Art, Satirical wooden sculptures with themes of social borders and immigrationClick to enlarge

Cuban artist Abel Barroso creates wooden sculptures in the shape of games such as pinball machines, fooseball tables, monopoly boards to birdhouses, backpacks, and numerous technological devices from computers to mp3 players mostly using wood. Though these sculptures have a quirky and playful style to them, upon closer inspection one sees  they dwell on serious themes such as social borders, immigration, and poverty from a satirical point of view. Barroso’s biggest project is likely to be The Emigrant’s Pinball Machine (Pinball del Emigrante), composed of seven interactive games, each offering the hope of entry into a glamorous capitalist city, symbolized by a row of skyscrapers. These wooden creations—eschewing the colors, lights and sounds of traditional pinball machines—depict various methods of getting there, but the illusory nature of the quest is evident.

Photos courtesy of the artist, artslant &  vault.

via vault

Station to Station: Doug Aitken

Station to Station, Doug Aitken's Nomadic Art Happening; Carsten Holler, Urs Fischer, Kenneth Anger, Ernesto Neto, Ariel Pink, No-AgeStation to Station, Doug Aitken's Nomadic Art Happening; Carsten Holler, Urs Fischer, Kenneth Anger, Ernesto Neto, Yurts, Ariel Pink, No-AgeStation to Station, Doug Aitken's Nomadic Art Happening; Carsten Holler, Urs Fischer, Kenneth Anger, Ernesto Neto, Yurts, Ariel Pink, No-AgeStation to Station, Doug Aitken's Nomadic Art Happening; Carsten Holler, Urs Fischer, Kenneth Anger, Ernesto Neto, Yurts, Ariel Pink, No-AgeClick to enlarge

On Friday night, eagerly anticipating the arrival of Doug Aitken‘s (previously here) latest project Station to Station, I went to the first stop and kick-off of this unique multi-city art and music ”nomadic happening“. The pre-event coverage was rather vague, so I was trying to wrap my head around how a train was going to make its way over to the Williamsburg waterfront and, well, the answer is, it didn’t. In fact, the beautiful glowing train exists, but—at least at the New York stop—it wasn’t included in the actual event, but rather, as the means, cool as it may be, of transportation for the artists, musicians, chefs and other participants.

However, despite the lack of train viewing, art and music were definitely supplied in abundance within a festive atmosphere on the most perfect of fall-like nights. Five nomadic sculptures/yurts were set up outside, each designed by a different artist and open for shoeless entry by guests. These installations included an orange-y glowing one by Ernesto Neto; a white, smokey one, with a disco ball by Urs Fischer; Kenneth Anger’s bright red yurt with two video panels screening “Lucifer Rising”; a yellow tensile structure by Carsten Höller; and a completely dark yurt that I was not able to experience properly and not sure of the artist either, sorry. Inside the large Riverfront Studios stood a wooden yurt containing a gift shop. Also inside, is where the music was performed (bands included No-Age, Suicide, Yoshimio, and Ariel Pink.) But, possibly, what I enjoyed most about the whole event were the films screened behind the musicians and between sets. These ranged from Doug Aitken’s own films to Francis Alys, Kate Casanova, Nam June Paik, and Allora & Calzadilla just to name a few. Most of the ones that I saw were truly captivating, and in the most surprising of ways. For example, Kate Casonova’s ”Ornament”, a film showing the back of the artist’s braided head with large hermit crabs crawling on it, was oddly mesmerizing. One of my favorites, however, was a series of kisses from old Hollywood films spliced together as one film, though I wasn’t able to find the name or filmmaker. It was reminiscent of that wonderfully moving scene at the end of Cinema Paradiso (a movie totally worth watching, but if you haven’t yet, then you may want to skip the spoiler-ish link above.)

Back to Station to Station. The event will be traveling all the way to San Francisco within the next three weeks making stops in nine cities and including different artists and performers in each location. If you can’t catch it live, the site is designed in such a way to be able to experience the events virtually. Definitely a great concept filled with great talent with proceeds going to support non-traditional programming at nine partner museums around the country.

Photos of trains, Carsten Höller sculpture, Kenneth Anger sculpture, and Olaf Breuning’s color bombs all courtesy of Station to Station; all other photos by collabcubed

Heart of the District: ZA Architects

Heart of the District by German ZA Architects, cool hotel design, Cut 'n' Paste exhibit MoMA, futuristic architectureHeart of the District by German ZA Architects, cool hotel design, Cut 'n' Paste exhibit MoMA, futuristic architectureHeart of the District by German ZA Architects, cool hotel design, Cut 'n' Paste exhibit MoMA, futuristic architectureClick to enlarge

A few weeks ago while taking in several exhibits at MoMA, we came upon a very interesting image as part of a digital slideshow in the architecture Cut ‘n’ Paste exhibit. After running through all the captions on the wall, we finally found what was unmistakably the corresponding one, clued in by the vital organ referenced: Heart of the District by ZA Architects. The Germany-based architecture firm came in second place in an international competition with their futuristic heart-shaped pod-like structure. Their proposal, for a hotel in NYC, integrates the street, the city dwellers, as well as the hotel guests, giving the tourist a more inside experience on their visit. The hotel rooms would reside in the existing adjacent buildings with the heart shape construction acting as a hub to draw people in and mix, acquaint them inside its tight spaces, while they partake in varied activities. The “heart’ itself would contain a playground, shop, exhibition space, café, bar, hotel reception, lounge zone, small cinema, library, conference hall. And, it goes without saying, whether you like it or not, the structure would likely become a NY icon.

All images courtesy of the architects.

Barbara Kruger: Belief+Doubt

Barbara Kruger, Typography Installation, Hirshhorn Museum lower lobby and escalator, Belief and DoubtBarbara Kruger, Typography Installation, Hirshhorn Museum lower lobby and escalator, Belief and DoubtBarbara Kruger, Typography Installation, Hirshhorn Museum lower lobby and escalator, Belief and DoubtClick to enlarge

As part of an initiative to bring art to new sites within and around the Hirshhorn Museum, roughly a year ago the museum installed Barbara Kruger’s Belief+Doubt exhibit to fill the Lower Level lobby and extend into the newly relocated bookstore. The supersized words that have increasingly become Kruger’s trademark, create an environment that surrounds the viewer with language. The walls, floors, and escalators are all wrapped in text-printed vinyl that address themes of consumerism and power. I love when type takes over a space and choosing a highly-trafficked area that includes so many different angles with the stairs is particularly dramatic. The exhibit will continue through December 2014, so if you find yourself in Washington D.C. in the next year and a half, you might want to stop by the Hirshhorn to have a look in person.

Here it is being installed:

Photos by Cathy Carver, courtesy of the artist.

via juxtapozed

Matthew Mazzotta: Open House

Open House, Matthew Mazzotta, Coleman Center for the Arts, Recycled House from private space to public Open House, Matthew Mazzotta, Coleman Center for the Arts, Recycled House from private space to public Open House, Matthew Mazzotta, Coleman Center for the Arts, Recycled House from private space to public Click to enlarge

Artist Matthew Mazzotta (previously here) teamed up with Coleman Center for the Arts and the folks of York Alabama to transform one of the town’s most blighted properties into a new public space. Using the materials of an abandoned house as well as the land it stood on, Mazzotta created one of his shape-shifting structures titled Open House. Starting in the shape of a house, the puzzle-like structure is designed to require cooperation. Four people must work together for over an hour to unfold the pieces into a multi-seat theater that can be used for performances or simply a common ground for community dialogue and activities. Everything about this project is ultra-clever and well designed: its construction (and deconstruction); the repurposing of materials; as well as the community-building aspect via the integration of the townspeople. Here’s a video with more background on the project:

Thanks Matthew!

Cloudscapes: Tetsuo Kondo & Transsolar

Tetsuo Kondo, Transsolar, Cloudscapes, cool installations with contained cloudlike formations, contemporary art, Museum of Contemporary Art Tokyo, Venice BiennaleTetsuo Kondo, Transsolar, Cloudscapes, cool installations with contained cloudlike formations, contemporary art, Museum of Contemporary Art Tokyo, Venice BiennaleTetsuo Kondo, Transsolar, Cloudscapes, cool installations with contained cloudlike formations, contemporary art, Museum of Contemporary Art Tokyo, Venice BiennaleClick to enlarge

Ever wish you could walk through a cloud? Japanese architecture studio Tetsuo Kondo Architects and environmental engineers Transsolar, create Cloudscapes where visitors can experience a real cloud from below, within, and above. First, three years ago at the Venice Architecture Biennale 2010 their cloud installation floated within the center of the Arsenal and, more recently they exhibited a Cloudscape encased inside a transparent two-storey cube at the Museum of Contemporary Art Tokyo (MOT). These installations are formed by pumping three layers of air into a contained space: cold air at the bottom; hot humid air in the middle; and hot dry air at the top. The pathways offered to visitors exploring the Cloudscape includes a staircase allowing them to experience the cloud from all angles, including walking through it.

via idporn & mymodernmet

Oded Hirsch: 50 Blue

Oded Hirsch, 50 Blue, Video and Stills, wheelchair lifted by pulley to see view, contemporary Israeli artOded Hirsch, 50 Blue, Video and Stills, wheelchair lifted by pulley to see view, contemporary Israeli artOded Hirsch, 50 Blue, Video and Stills, wheelchair lifted by pulley to see view, contemporary Israeli artClick to enlarge

Any time I’ve gone onto NYFA’s (New York Foundation for the Arts) website in the past month, I’ve been mesmerized by the looping 10-second video playing at the top of the page. In part it’s the visuals that are immediately intriguing; a man in a wheelchair being lifted via pulley up high over the water. Add to that the squeaky noise of the pulley, and it’s just hard not to be drawn in for several loops-worth of viewing. Turns out this is a shortened version of Israeli video artist Oded Hirsch’s 10-minute piece titled 50 Blue. After googling around I discovered through the New York Times that in the longer version, ”a young man struggles to push an older man in a wheelchair through a swampy landscape and down to the water’s edge. There, helpers in yellow slickers hoist the wheelchair up to an elevated platform. No one says a word, leaving us to wonder whether the view is worth the strenuous, muck-filled journey. Learning that the young man is Mr. Hirsch’s brother, and that the older one is his father, and that the site is the Sea of Galilee makes the whole thing seem like a parable.” So now, not only are the visuals and sounds captivating, but the story itself adds an equally engaging third dimension. You can see the video here.

via nyfa

From the CollabCubed Archives

We’re taking a little summer blogging break this month. To keep you entertained, we’ve put together easy access links to some of our more popular posts in the past months but, of course, feel free to peruse instead by category using the drop-down menu in the right sidebar, or click on the ‘random post’ icon also in the sidebar. There’s always our facebook page, as well, with links to all of our posts. And for those of you in NYC, please check out our recently launched site Culture on the Cheap offering daily suggestions of free and cheap events in New York City.

Enjoy and we’ll be back in a few weeks!

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Gemis Luciani: Phone Book Sculptures & More

Phonebook sculptures, Gemis Luciani, Piece of SpacePhonebook sculptures, Gemis Luciani, Piece of SpaceClick to enlarge

Berlin-based Italian artist Gemis Luciani upcycles phone books, magazines, brochures, and other similar objects into sculpture. By manipulating, de-composing and re-assembling the books and pages he reconfigures them into newly built systems of shapes and surfaces. His collages and spatial, large scale installations are meticulously created, and rely on a strong minimalist aesthetic. You can see more of Luciani’s work on his website here.

Photos: courtesy of the artist; premioterna; and artribune.

Rosh: Splashes of Colors on Streets of Madrid

Rosh, Spanish Street Art, Street art in Madrid, Escrito en la Pared, color splashesRosh, Spanish Street Art, Street art in Madrid, Escrito en la Pared, color splashesRosh, Spanish Street Art, Street art in Madrid, Escrito en la Pared, color splashesClick to enlarge

After spotting a photo on instagram of Spanish street artist Rosh‘s multi-colored sprayed corners, Guillermo de la Madrid took to the streets of Madrid to find more, and more he did find. These pastel-y splashes of colors adorn the street corners of the city, as well as other urban objects such as electrical switch boxes, pipes, and street signs. Surprising and subtle enough to almost be confused as unintentional, these colorful splotches especially appeal to those in the know.

Photos: Guillermo de la Madrid

via escrito en la pared

Paprika: Memory Gaps

Cool Interactive installation Trous des Memoires/Memory Gaps by Paprika in Montreal for Aires Libres, Aire Banque NationaleCool Interactive installation Trous des Memoires/Memory Gaps by Paprika in Montreal for Aires Libres, Aire Banque NationaleCool Interactive installation Trous des Memoires/Memory Gaps by Paprika in Montreal for Aires Libres, Aire Banque NationaleClick to enlarge

Montreal-based graphic design and strategic marketing firm Paprika (previously here) never disappoints. Checking in to their site for a boost of inspiration I came across their currently exhibited art installation for Aires Libres—an artistic event on St. Catherine Street in Montreal. Trous de mémoire (Memory Gaps) invites visitors to take a walk down memory lane, but there are tricks and humorous discoveries to be made, indicating that what is forgotten is not always lost. By day or by night, pedestrians can slip between the panels and uncover their secrets from up close or from a distance, deciphering them from all angles and even climb through them.

For those of us not near Montreal, the experience is nicely captured in the videos below, the second one being a timelapse version of the installation process (with a lovely song by Black Water.)

Memory Gaps (Trous de mémoire) is on view through September 2, 2013.

Tham & Videgård: Lagnö Summer House

Tham & Videgard Arkitekter, Contemporary Swedish Architecture, Lagno Summer House, Concrete rooftopsTham & Videgard Arkitekter, Contemporary Swedish Architecture, Lagno Summer House, Concrete rooftopsTham & Videgard Arkitekter, Contemporary Swedish Architecture, Lagno Summer House, Concrete rooftopsClick to enlarge

Swedish architects Bolle Tham and Martin Videgård designed this summer house in the town of Lagnö, part of the Stockholm archipelago. What sets this house apart from the more classic rustic timber cabins found in the landscape, is its pleated façade made up of a series of concrete gable roofs. The  exposed concrete and its angular shape, was a deliberate choice by the architects to connect the house to its environment, specifically the archipelago’s granite bedrock. The pitched ceilings make for dramatic interior heights and room shapes, while the large expanses of glass offer spectacular views of the forest and bay.

Photos by Lindman Photography

via ar

3PTPOP: Victor-John Villanueva

3PTPOP, Victor Pump, Victor-John Villanueva, Perler Bead pop art accessories3PTPOP, Victor Pump, Victor-John Villanueva, Perler Bead pop art accessories3PTPOP, Victor Pump, Victor-John Villanueva, Perler Bead pop art accessoriesClick to enlarge

I’ve mentioned our personal appreciation/fascination for perler bead fashion accessories before and 3PTPop‘s range of portrait neckware is no exception. New York City based graphic designer Victor-John Villanueva (aka Victor Pump) is inspired by pop culture and the figures that shape it. With his label Three Point Pop he merges art and fashion. The collection features  pop culture icons and immortalizes their images in fusible beads and resin. From Andy Warhol & Anna Wintour to Pharell Williams and even Bill Cunningham, Villanueva is able to render their faces in an unmistakeable way. Even the business cards are made using the fused beads. You can purchase these works as necklaces or as framed works here and you can follow the latest designs on his blog here.