Olga Diego: Interactive Inflatables

interactive, inflatable sculpture, hombre suspendido, hanging man, plastic bag sculptureinteractive, inflatable sculpture, plastic bag installation, Art from Spain, Mustang GalleryCool installation, inflatable sculpture, Olga Diego, collabcubedinteractive, inflatable sculpture, plastic bag installation, Art from Spain, Mustang GalleryWe certainly have posted our fair share of inflatable sculptures and installations, but somehow each one has its own personality and style. This exhibit, Aire (Air), a few months back at the Mustang Art Gallery, is an installation by Spanish artist Olga Diego. Working with plastic, both translucent and transparent, and plastic bags, along with electronic circuits that inflated and deflated each structure, Diego filled the gallery with six separate inflatable works that interact with each other and with those who viewed the show in its space. Some of the pieces allude to well-known images such as Duchamp’s The Bride Stripped Bare by her Bachelors, Even, and the hanging man to Christ. Some of her shapes are organic in form and complement the more figurative ones nicely.

The two bottom photos are from a previous exhibit by Olga Diego at Plataforma Petracos, Hábitos de Habitar (Habits of Inhabiting).

You can see the works in Aire being inflated in the video below, as well as their general movement and interactivity.

Photos by Álvaro Vicente and El Periodic.

via revista treintaycuatro via the multi-talented anA

Dimitris Polychroniadis: Church Slogan Art

Humorous Church sign slogan inspired contemporary sculpture, Dmitris Polychroniadis, collabcubedHumorous Church sign slogan inspired contemporary sculpture, Dmitris Polychroniadis, collabcubedHumorous Church sign slogan inspired contemporary sculpture, Dmitris Polychroniadis, collabcubedClick to enlarge

Architect and set designer Dmitris Polychroniadis from Athens has recently completed a series of humorous sculptures inspired by church sign slogans and relevant to the struggles that his country (as well as much of the world) is presently experiencing. The series is titled The Miracle of Fluo Colours.

From Polychroniadis:
Religion often serves as an emotional ‘lender of last resort’ in times of crisis. The idea for this series of maquette sculptures, comes from Christian church signs and billboards in the US. By stripping these religious quotes away from their physical and emotive context, the ‘message’ becomes more absolute, almost surreal. To emphasize this further, the text size has been exagerated in scale (compared to the figurines) and colour. The project is somewhat ‘street’ influenced by large scale advertising and slogan graffiti. The title of the series generates a contrast: The notion of God-sent miracles as an integral part of religious faith, against the marvels of man-made, modern age, industrial technology and it’s products such as fluoerscent materials and colours.

You might enjoy some of Polychroniadis’ architecture work as well. I especially like his use of type in his restaurant and store designs.

Photos: Michalis Dalanikas & Dimitris Polychroniadis

Tang Kwok Hin: Mixed Media Collage

mixed media, Contemporary art from Hong Kong, Tang Kwok Hin, collage, collabcubedmixed media, Contemporary art from Hong Kong, Tang Kwok Hin, collage, collabcubedmixed media, Contemporary art from Hong Kong, Tang Kwok Hin, collage, collabcubedClick to enlarge

I have been a fan of vellum since my early days as a designer. That sort of semi-matte quality really appealed to me and I found myself running it through the copier on a regular basis. Any comp looked better with a little vellum overlay.

So, it’s not surprising that Hong Kong mixed media artist Tang Kwok Hins collages are right up my alley. These are created on layers of glass instead of vellum but, for me there is something reminiscent of that vellum effect.

Many of the collages pictured above are part of a series titled Containers as Evidence of Presence, 2010-now. This is what Tang has to say on the subject:

Every object cannot be self-existent in the form of flow and permanency. Books are stored on shelves; wine is put into glass bottles; water need to rely on coast to constitute river; even though air is such invisible element, we have the Earth as the storage. All these are the things possessing ability like protection and providing positions for the protected ones to exist. Positions are: something has to open for discovery, such as gift boxes and chests of treasure; something is concealed from our sight that we can percept through our experiences, such as roots in vases of flower and furniture in houses.

Tang Kwok Hin is attracted to the interdependence between containers and the things loaded. He uses photos that he takes as well as images from related searches on the internet. The photos are adhered to different levels of glass, resulting in a somewhat surreal effect.

via amelia johnson contemporary

Katya Malakhova: Russian Nesting Dolls

Matroyshka, Contemporary Russian Nesting Dolls, Toys, Batman, Russian Design, collabcubedMatroyshka, Contemporary Russian Nesting Dolls, Toys, Batman, Russian Design, collabcubedMatroyshka, Contemporary Russian Nesting Dolls, Toys, Batman, Russian Design, collabcubedRussian graphic designer and photographer Katya Malakhova, clearly an industrial designer as well, has put a spin on the traditional Russian nesting doll (matroyshka) concept in many directions, all a lot of fun. From Batman to a dominatrix, anatomical versions and bling, they all made me chuckle. Oh, and Gene Mutation has a nice surprise at its core.

These have got kidrobot written all over them, don’t you think?

via redbubble

Julia Davis: Headspace

Art out of Place, Cast Salt, Salt Sculpture, Australian Contemporary art, Perth Festival 2012Art out of Place, Cast Salt, Salt Sculpture, Australian Contemporary art, Perth Festival 2012Art out of Place, Cast Salt, Salt Sculpture, Australian Contemporary art, Perth Festival 2012Click to enlarge

Sydney based artist Julia Davis focuses on the relationship between objects, places and spaces. With works installed in salt lakes, deserts, coastal precincts and parklands in addition to galleries, Davis explores the experiential as well as ideas of temporality and duration.

In Headspace, Davis used salt harvested from Lake Brown in Western Australia to create a cast of her head and shoulders. After, she reintroduced the sculpture to its original source and documented its dissolution over a 9 week period.

via Perth International Arts Festival

Do Ho Suh: Floor plus Cause & Effect

Cool art installation, little plastic men, Floor, Singapore Institute, Do Ho SuhCool art installation, Korean Contemporary Art, little plastic men, Floor, Singapore Institute, Do Ho SuhCool art installation, Korean Contemporary Art, little plastic men, Floor, Singapore Institute, Do Ho SuhCool art installation, Korean Contemporary Art, little plastic men, Tornado_Cause and Effect Do Ho SuhClick to enlarge

I’ve recently become acquainted with Korean artist Do Ho Suh’s work, both online and in person this past fall at Lehmann Maupin Gallery’s exhibit of his work. However, these two installations are new to me and both appeal to me very much. Floor, which was recently exhibited at the Singapore Tyler Print Institute, consists of almost 2,000 plastic little men pushing up on a walkable glass surface, trying to prevent being crushed. These small figures en-masse deal with individuality and collective force, a running theme in Suh’s work. Similarly, his installation Cause & Effect, a tornado-like structure made up of thousands of piggy-backed figures suggests, once again, that there is strength in numbers.

Cause & Effect is currently on display at Western Washington University.

Photos: Phaidon, Huffington Post, The Stranger, and Korea.net’s flickr

via colossal

Hirshhorn Bubble: Diller Scofidio + Renfro

Temporary inflatable exhibit, peformance space, Hirshhorn Museum, Diller Scofidio and RenfroTemporary inflatable exhibit, peformance space, Hirshhorn Museum, Diller Scofidio and RenfroTemporary inflatable exhibit, peformance space, Hirshhorn Museum, Diller Scofidio and RenfroClick to enlarge

This is such a clever and fun idea! Diller Scofidio + Renfro (fast becoming one of my favorite architects after the High Line, Alice Tully Hall and all the renovations at Lincoln Center, as well as the ICA in Boston, just to name a few…) have designed an inflatable temporary event space for the cylindrical courtyard of the Hirshhorn Museum in Washington, D.C. The thin translucent membrane of the pneumatic structure is meant to be squeezed into the void of Gordon Bunshaft‘s donut-shaped building, and ooze out  the top as well as beneath the mass. The contrast of the soft and hard structures is great, and by roofing over the courtyard the museum gains 14,000 sq. feet of sheltered space in the spring and fall that will accommodate up to a 1000-person audience for performing arts events, films, lectures or even art installations.

The project was initially scheduled to open in Fall 2012, but due to lack of sufficient funding, the project may be delayed slightly. Hope not too long…

Images all courtesy of Diller Scofidio + Renfro.

via Architect Magazine

Regina Silveira: Tracks and Shadows

Shadow illusion installation, contemporary Brazilian art, cut vinyl, perspectiveCar tracks application, art installation, Octopus series, contemporary Brazilian art, cut vinyl, perspectiveShadow application, art installation, contemporary Brazilian art, cut vinyl, perspectiveCar tracks application, art installation, Octopus series, contemporary Brazilian art, cut vinyl, perspectiveClick to enlarge

Brazilian artist Regina Silveira was so ahead of her time. She’s been creating installations using plotter cut black vinyl adhesive years before blik came into existence! Her large-scale installations play with perspective, shadows, and space in general. Her Track Series (Derrapagem which translates as skid marks) go from floor, to walls to the most unlikeliest of façades. Her exaggerated shadow pieces are humorous and clever, often tricking the eye.

Below is a video of a set design with Silveira’s signature skewed perspective that has your mind doing as many flips as the dancers.

Photos courtesy of the artist, Alexander Gray Gallery, Rainer Hosch, and xpuesto’s flickr

via The Aldrich Contemporary Museum

Arjen Born: Photographs from the Future

Photographs, Industrial design, contraptions, sculpture, robots, elderly, collabcubedPhotographs, Industrial design, contraptions, sculpture, robots, elderly, collabcubedPhotographs, Industrial design, contraptions, sculpture, robots, elderly, collabcubedPhotographs, Industrial design, contraptions, sculpture, robots, elderly, collabcubedClick to enlarge

Recently, I’ve mentioned to my future-industrial-designer-daughter Daniela that I believe there will be a great demand for smartly designed, affordable gear for the elderly in the not-so-distant future, with everyone living longer and the price of healthcare increasing while insurance coverage declines. Clearly, Dutch photographer Arjen Born feels the same way.

These photographs are at once comical and moving. They envision health aides of the future as robots or contraptions that assist. I’m assuming that Born creates these humorous ‘prototypes’ himself judging from the name header on his website.

via gup magazine

Espacio Cultural El Tanque: The Tank

The Tank, Cultural Space in Santa Cruz de Tenerife, Oil tank converted to performance, exhibit spaceThe Tank, Cultural Space, Oil tank converted to performance, exhibit space, Canary IslandsThe Tank, Cultural Space in Santa Cruz de Tenerife, Oil tank converted to performance, exhibit spaceClick to enlarge

Though they are celebrating their fifteenth anniversary this year, Espacio Cultural El Tanque de Santa Cruz de Tenerife, in the Canary Islands, is news to me and, judging from my googling, might be news to many. Menis Arquitectos transformed the old oil tank, the last of its type in the formerly industrial landscape, into an ever-changing cultural space used to display art installations as well as a performance venue for concerts. 50 meters in diameter and 20 meters in height, the tank has a temple-like quality. An old train car is used as the entrance ramp adding to the drama of the space. That, combined with the impressive installations and lighting of the space make it a cool-looking destination for anyone heading to Tenerife.

Photos: Colin Kirby, omarnahas’s flickr, encarneviva’s flickr, georgepompidou’s flickr,  Hisao Suzuki, and Teresa Arozena

Dancing Plague of 1518

Illustration, Prints, Dance Steps, niege borges, fun posters, pulp fictionIllustration, Prints, Dance Steps, niege borges, fun posters, Napoleon DynamiteIllustration, Prints, Dance Steps, niege borges, fun posters, Seinfeld, Singing in the rain, Little Miss SunshineClick to enlarge

This tumblr by Niege Borges made me smile. In memory of Frau Toffea — the woman who was the first of 400 people in 1518 to be afflicted with dance mania in Strasbourg, France, dancing for days without rest resulting in some deaths — Borges is creating prints illustrating dance steps from sequences throughout the history of film. The tumblr/series is called Dancing Plague of 1518. She’s welcoming suggestions, so feel free to head on over and add yours.

If you’d like a print of one of the dances, they’re available here.

via free york

Lauren Smith: Doubt and Confusion

contemporary art, installation, bed frame, marshmallows, humor, confusion, collabcubedcontemporary art, installation, bed frame, marshmallows, humor, confusion, collabcubedcontemporary art, installation, bed frame, marshmallows, humor, confusion, collabcubedClick to enlarge

New Jersey based artist Lauren Smith is a 2D/3D mixed media artist whose work is influenced by three years experience in historic preservation architecture. As Smith stated in an interview:

I try to create environments that make the viewer feel a sense of doubt and/or a moment of confusion.

Here, in two very different types of works, one an installation the other drawings, she does just that. Above, her installation titled Under the Bed is made with a wooden bed frame enclosing a ‘mattress’ of skewered marshmallows. Maybe not a lot of doubt here, but definitely some confusion.

Below, her ink drawings on typical architect canary-yellow tracing paper are part of a series titled NYC: An Honest Lie.

Typically, people associate architectural drawings with the documentation of truth and precise representation. My work challenges this association by using the vernacular of architectural drawings to create “lies” about buildings. I will slightly misrepresent buildings by either idealizing them and/or intentionally distorting them. I aim to provoke the audience to question not only the validity of what they are seeing, but also their own perspectives towards their external environment.

In addition, Smith uses varnish to mount the tracing paper drawings onto canvas, adding to the ‘lie’ by disguising them as paintings. I love all of this work. It’s smart, full of humor, plus, I’ve always found those canary-yellow rolls of tracing paper an odd choice for architects – the color, the curling aspect from being rolled – so the choice of that material alone makes me chuckle. If you look closely at the first two images below (one a detail, the other an installation view) the drawing is a detailed diagram titled 14th St./6th Ave Subway Gum Conditions Survey. Many of the other drawings are of buildings around Union Square, right here in NYC, so maybe my familiarity with the neighborhood adds to the appeal as well.

NYC, Drawings, Union Square, Architectural style drawings, contemporary art

via 1Op Collective

Roadsworth: Dead Hearts

Street art, hearts, dead hearts, valentine's day, graffiti, photography, Roadsworth, MontrealStreet art, hearts, dead hearts, valentine's day, graffiti, photography, Roadsworth, MontrealStreet art, hearts, dead hearts, valentine's day, graffiti, photography, Roadsworth, MontrealClick to enlarge

Street artist Roadsworth started painting the streets of Montreal about ten years ago in protest of car culture and to promote bicycle use. This series of works is titled Dead Hearts…maybe not the most romantic title for a Valentine’s Day post, but that’s what we’re doing, so, let’s just go with it.

You can see more of Roadworth’s hearts as well as much more of his clever work on his website.

Heart for Vaclav Havel in Prague

Heart Sculpture made of melted candles, Roman Svedja, Lukas Gavlovsky, Prague, Havel, Heart Sculpture made of melted candles, Roman Svedja, Lukas Gavlovsky, Prague, Havel, Heart Sculpture made of melted candles, Roman Svedja, Lukas Gavlovsky, Prague, Havel, Heart for Vaclav Havel, Prague National Theater Square, Sculpture, WaxClick to enlarge

Back on December 18th, Czech artist Roman Svejda stood among the thousands who lit candles for Vaclav Havel (playwright-turned-president) following his death, and wondered what would happen with all the candles. Fast forward a few weeks and Svedja along with artist Lukás Gavlovsky (and dozens of volunteers), have melted all that wax (roughly two tons worth) and built a giant, heart-shaped memorial to the former president. The image is inspired by the small heart-drawing that Havel used as part of his signature.

The 4 x 4 square meter sculpture is open and hollow, allowing visitors to step inside. It was unveiled last Friday in the square next to the National Theater in Prague and will remain there until April.

Photos: The Prague Post and Aktuálne

via The Art Newspaper

Shay Frisch Peri: Energy Fields

Light sculptures, energy fields, electrical adaptors, Israeli contemporary art, Haunch of VenisonLight sculptures, energy fields, electrical adaptors, Shay Frisch Peri art, Haunch of VenisonLight sculptures, energy fields, electrical adaptors, Shay Frisch Peri art, Haunch of VenisonClick to enlarge

Shay Frisch Peri is an Israeli artist and industrial designer living and working in Rome. Creating an almost weave-like look with the repetition of electrical adaptors and light indicators, Frisch Peri’s light sculptures are like energy fields. The one that Daniela and I saw this past weekend in Chelsea (Campo 4012 N – the circular one with ‘N’ signifying the color black) had a wonderful glow to it as we walked into the gallery. Frisch Peri takes into consideration each individual space and the appropriate proportion of light required.

This piece, as well as Campo 1 N (the individual component used to create the larger work) will be at Haunch of Venison in Chelsea through March 3, 2012. You can see more of Shay Frisch Peri’s work here and here.

Giles Walker: Animated Sculptures

animated sculpture, robots, sculptures made from scrap, Rotterdam Art Fair 2012, collabcubedanimated sculpture, robots, sculptures made from scrap, Rotterdam Art Fair 2012, collabcubedanimated sculpture, sculpture made of scrap, junk, robots, rotterdam art fair 2012, collabcubedgiles walker, kinetic sculpture, robots, contemporary sculpture, animated sculpture

Click to enlarge

For over the past twenty years English sculptor Giles Walker has been working with robots, creating kinetic sculptures from materials found in scrap yards. A member of the guerilla-art group The Mutoid Waste Company, Walker’s robots are a creative intervention into our throw-away capitalist culture as well as a commentary on the surveillance practices or our time.

All of these pieces are just great, but the DJ and Pole Dancers’ Peepshow with their surveillance-camera heads, in addition to excellent hip and pelvic movements, might be my favorites. The telephone-headed drunks are (at least in some cases) programmed to interact with the public using presence sensors.

Walker’s robots have been exhibited all over the world, most recently this past week at the RAW Art Fair, part of the Rotterdam Art Fair 2012.

Photos courtesy of the artist; LookforArt; Epicfu; maggie jones’ flickr; and de_buurman’s flickr.

Three NYC Architectural Tidbits

Three different projects here in NYC have recently come to my attention, so rather than do three separate posts, I’ve decided to group them together in one. You can click on most of the images to see them larger.

PS1, New York City, Warm Up 2012, Wendy, HWKN architects, cool structure, Young Architects MoMAPS1, New York City, Warm Up 2012, Wendy, HWKN architects, cool structure, Young Architects MoMAFirst up, The Museum of Modern Art and MoMA PS1 have announced this year’s winner of the Young Architects Program. HWKN (HollwichKushner) will construct their entry for the annual outdoor summer installation in PS1’s courtyard in Queens this summer. The winning proposal, titled Wendy, will consist of a large scaffold containing an oversized blue nylon starburst-like structure that will clean the air while offering shade, wind, rain and music. Looks like quite a departure from the past couple of years in that it looks more self-contained. I’m really looking forward to seeing it built in June.

Images courtesy HWKN
via archdaily

Times Square, BIG Heart, Bjarke Ingels Group, Art Installation, cool, Light installationTimes Square, BIG Heart, Bjarke Ingels Group, Art Installation, cool, Light installationNext, right now through February 29, 2012, there’s a 10-foot-tall BIG ❤ NYC sculpture/light installation in Times Square designed by BIG (Bjarke Ingels Group) Architects in honor of Valentine’s Day. The public art installation is located in Duffy Square at the foot of the TKTS steps/seats. Consisting of 400 transparent acrylic tubes (lit by LEDs) that form a cube around a suspended red heart whose beat and color intensity directly correlate to how many people touch the “Touch Me” heart pad on a circular stand close by.

Flatcut fabricated the rods, Silman Associates were the structural engineers and Zumtobel provided LED technology.

You might also want to check out BIG’s winning entry for Wave Pier in St. Petersburg which looks spectacular!

Photos courtesy Times Square Alliance

Solomonoff Architects, Greenwich village townhouse, cool playroom, mirrored benches, collabcubedSolomonoff Architects, Greenwich village townhouse, cool playroom, mirrored benches, collabcubedLastly, this Greenwich Village townhouse has had us puzzled for the past couple of months on our daily walks past it. In the storefront of what used to be a hair salon now sit two mirrored benches; one a swing the other static. I imagined some sort of new age church or meeting house with funky pews, or some sort of cool, minimalist art gallery, but a few weeks ago I finally had the opportunity to ask a neighbor as she entered her building if she knew what the mirrored benches were all about. Turns out that it’s a private home and the mirrored room (floor, ceiling, walls as well as bench/swing) are all part of the playroom/guest room. This is not your childhood playroom. I’ve been sort of stalking the place (not really, but I do pass by often on my way to and from home) and was able to catch a glimpse of the open guest room, (with its orange mattresses), as well as the super-cool multicolor striped stairs that lead up to the rest of the house. The architects behind the project are Solomonoff Architecture Studio and professional photos of the entire project are due out in an undisclosed architecture periodical shortly, which should look a lot better than these (the reflective space is especially difficult to photograph.) I’m curious to see what the rest of the house looks like…

Photos: collabcubed