French transmedia artist Miguel Chevalier presented Magic Carpets 2014 in Morocco at the beginning of the month. The spectacular lighting installation turned the massive floor of the Sacré Coeur church in Casablanca into a joyful interactive experience. From a sea of vibrantly colored spirals to pixels that gave way to cellular-inspired patterns, the contemporary animated projections moved along nicely complemented by Michel Redolfi’s music. See it in action in the video below. I could see this working very nicely at our own Park Avenue Armory here in NYC…hint, hint.
School of Visual Arts design student Shurong Diao decided to link Chinese calligraphy to the Roman alphabet by substituting black ink on rice paper with long black hair…and when I say “long” I mean crazy-long (photoshopped long?) hair. Every letter of the alphabet has been created and there are even a few words thrown in. Maybe not the most practical typeface, but kind of fun.
Click to enlarge
Flickr user Harvezt has cleverly ventured to the other side. The other side of iconic album covers, that is. Harvezt has created a gallery of album covers as seen from behind. From a British bobby directing Abbey Road traffic, to the other leg and cheek on the Strokes’ Is This It, on to Kraftwerk, Springsteen, Nirvana and more, the funny and well-executed idea often surprises, but even the less surprising cases readily evokes a smile. You can see the rest of the set here.
Reminiscent of the summer of 2000 when The Cow Parade hit the streets of NYC—we were huge fans, having set out on the mission to find all the cows and photograph ourselves with our favorites, pre-social media era, just for our own pleasure…imagine that!— this April the city has kicked off The Big Egg Hunt NY with close to 300 eggs “hidden” around town that Fabergé commissioned artists, designers, and architects to paint, or create their own, all in the name of charity. The participants are an impressive bunch, from artists such as Jeff Koons and Julian Schnabel, to architects Zaha Hadid and Morphosis, to graphic designer Debbie Millman, fashion designers including Cynthia Rowley and Diane Von Furstenberg, and, of course, street artists: Dain, Cost, Faust and plenty more. Unlike the cows at the beginning of the century, the eggs can be tracked via smartphone app that will notify a person if they’re near an egg and will place it on a map once it’s been discovered (and checked in) by ten people. It seems many of the street art eggs are located downtown, other eggs are exhibited in Grand Central, Rockefeller Center and Columbus Circle (there are a whole bunch more photos here.) But those are just a few eggsamples… there are lots more to find all across the boroughs, so get cracking! Well, you know what I mean. You have until April 17th. After that they’ll be exhibited at Rockefeller Center through the 25th and then auctioned off. Anyone can bid via the website and there are also more affordable mini versions available in the site’s shop.
via gothamist & nytimes
Earlier this year, Madrid launched an innovative project that seeks to “redecorate” lower income neighborhoods of the city with contemporary art interventions, both in the form of sculpture/structure as well as murals. Starting in Tetouan, the initiative to improve the urban landscape has been quite successful and is continuing on into other neighborhoods: first Usera, then Villaverde in the southside of the capital. One such project is Hypertube, a collaboration between PKMN Architects and Taller de Casqueria. The playful looking structure is made up of six precast reinforced concrete tubes two meters in diameter and two and a half meters in length. These dimensions make it possible for anyone to stand inside, from child to adult. Its objective: a “gathering place for neighbors and passers-by.”
via abc via lagaleriademagdelena
Spring is fast approaching (like, tomorrow…yay!) and along with the lovely season come school proms, weddings, and other formal occasions where the purchase of a corsage or boutonniere may be warranted. If you’d like to deviate from the classic floral variety, we’ve got Daniela’s clever Corsage/Boutonniere bracelet/pin combos right here. Be the talk of your event and the envy of every type-crazed participant (surely there’s at least a couple in any crowd) when you and your date show up donning these fun pieces. Limited supply so order soon…
Switzerland-based, British artist, Michael Goodward makes art “with a serious smile and a wry mind.” His humorous sculptures and installations are eclectic and a manifestation of the curious way he occupies his time with anything that is remotely connected with the nature of being and man’s perception of the world within and around him. Themes such as death, religion, and existence are represented through the artist’s view. And if the works themselves don’t make you break into a smile automatically, some of the titles sure will: the Me compass which is also referred to as sartresample 1; the curiously literal hairbrush is titled Something or Other; the pie at the bottom is Humble Pie; and the S/M arty-pants with their nails penetrating areas that might want to avoid nails, definitely should evoke a chuckle, if maybe one combined with a wince.
Le Palais Bulles or “Bubble Palace” designed by Hungarian-born architect Antti Lovag who grew up in Scandinavia, sits on the Mediterranean in the south of France and was originally the home of Pierre Cardin. Now the Palace of Bubbles is a private event venue that hosts grandiose weddings, posh parties and other exclusive events as well as serving as the backdrop for many fashion photo-shoots and films. Somewhere between futuristic moon house and groovy 1970s pad, like it or not, the house is one unique piece of architecture. It seems that Antti Lovag spent many hours of his Scandinavian childhood building snow forts in the style of igloos and eventually became the preeminent architect of bubble architecture as well as designer of circular furniture. Lovag has at least two other of these bubble homes credited to his name, previous to this grander Palais near Cannes.
Covering both piers of the Armory Show is definitely an eyeful, or two, of art and as satisfying/inspiring as it can be, it’s also a bit draining. So, even in the most ordinary of circumstances I would have appreciated artist Andrew Ohanesian’s witty artworks, but they were especially welcome as an antidote to the exhaustion that started to set in a pier and half in. First spotted, was “Oceans” a San Jamar Tear-n-Dry, Hands-free Paper Towel Dispenser, the kind we’ve all had a little fun with in public restrooms, waving our hands in front of. Here, smack in the middle of the Armory Show, hanging from the wall, getting a lot of quizzical looks by passers-by, was the dispenser, beckoning to the public with its artist/title label to the side on the wall. Hard not to smile, though it might have been even funnier if each sheet had been signed by the artist. On the wall to the left, less noticeable, was the “Dollar Bill Acceptor”—in the style of vending machine money collectors—installed in the wall actually taking anyone’s money that was inclined to insert, giving nothing in return. I was a fan, and felt my dollar contribution was very well spent.
These humorous interactive artworks are not new to Ohanesian. Last year at the Armory Show he installed a flushing urinal, surely a nod to Marcel Duchamp. And in 2011 “ATM 2011”, a fully functioning ATM built by the artist charged the user the hefty fee of $4.99, but after completing a transaction, the user received a receipt with a title and an edition number on it… basically, a purchased work of art.
You can see more of Andrew Ohanesian’s work here and here.
Top three photos: Collabcubed. Bottom two courtesy of Pierogi Gallery.
Fashion shows keep pushing the boundaries and blurring the lines between art, performance, design and fashion. Last week in Paris, Karl Lagerfeld and his Chanel team took their Fall 2014 runway show to a whole new level. Stepping into the Grand Palais, all attendees were welcomed by the over-the-top Chanel Shopping Center. An entire supermarket recreated with every item rebranded/repackaged and emblazoned with the highly recognizable interlocking C’s of the Chanel logo. From every food product you can imagine, to cleaning products, welcome mats, brooms, soap, garbage bags and much more. The models walked through the runway aisles clad in the new Fall line, all wearing sneakers (because you can wear a Chanel suit to pick up your groceries, but heels might be too much?) pushing grocery carts or carrying baskets. An impressive feat, which apart from the obvious wow-factor, was meant to be a commentary on the state of consumerism. You’ll be relieved to know that all of the items are being donated to charity. It is difficult to wrap one’s head around all the design, printing, and organization that clearly went into this event, in addition to the fashion line itself. It’s the ultimate mega pop-up shop/installation… it’ll be tough to top.
Here’s a video of the models strutting their wares:
via Garance Doré
In addition to its sleek, minimalist design, this West London private residence dubbed Number 23 (based on its street address) designed by and for Matt White of MATT Architecture, is very playful. From the camouflaged front door with a very cool cut-out 23 and the humorous “hello” right above it, to the large single window jutting out of the façade with its electronically ‘switchable’ glazing—an LED technology that creates opacity for privacy with a mere flick of a switch—to the climbing wall and little messages such as “boo” in neon inside the bar cabinet and the “I don’t have OCD” mugs in the kitchen, these guys definitely had fun working on this home. Plus, the simple elevation conceals a house that is 30% bigger than its neighbors, despite occupying a 20% smaller plot and also includes various concealed technologies that dramatically reduce the energy consumption and running costs for the family. Magic. Humor, trickery, energy efficiency, and style…what more could a person ask for in a design?
For performance artists/architects Ward Shelley and Alex Schweder (previously here) sharing an unconventional living space is not a new concept. Their “performance architecture” has taken unusual forms such as a hanging see-saw-like structure or a stacked-living arrangement, in each case co-dependent on the other’s movement. Their latest installation/performance is titled In Orbit: a 25-foot wheel hanging from the ceiling, complete with two beds, desks, chairs, sinks, and apparently porta-potties (fortunately those don’t flip with the wheel), one of each at the counterpoint of the other. Ward Shelley lives on the exterior of the wheel, while Alex Schweder on the interior. And live they will, like this, without getting off, for a total of ten days. Currently they’re halfway through their stay. Any time one of them wants to use the sink or lie on the bed, they both have to slowly walk, rotating the wheel—much in the way a hamster makes his/her cage wheel rotate—to get to that particular item, in unison, and they both have to be in agreement as to the current activity. Schweder can’t choose to work at his desk while Shelley lies on his bed. That simply won’t work.
For those of you in NYC, you can visit In Orbit and witness their cohabitation at The Boiler through March 9, 2014. After that the structure will remain on view until April 5th sans artists. For everyone else, there’s the video below:
Yes, this is probably all over the internet by now, but how could we, a mother-daughters design blog not post about it? Even if the daughters are in their 20s. But this 4-year-old daughter and mother collaboration is right up our alley and my only regret is that we didn’t think of it ourselves. Mom Angie, noticed her 4-year-old “Mayhem” opting to dress herself up in scarves and sheets over her store-bought princess dresses while playing. Clearly interested in fashion, Angie suggested they make their own dress out of paper and Mayhem jumped at the idea. The rest, as they say, is history. Nine months later, the mother-daughter collaboration has yielded dozens of designs—with 50/50 contribution on the creative concepts—that have been posted to an instagram account. Mayhem contributes much more than one would think to the construction of these dresses, having even made a couple completely on her own. Their inspirations vary from My Little Pony to the Golden Globes’ red carpet and the results are unbelievably cute as well as impressive. The most ironic part? Angie, the mom, is not a particularly crafty or fashionable person. As for Mayhem? I think she’ll likely be on Project Runway before we know it.
You can see many more of these delightful designs and photos over here and here.
This is such a great project. LATA 65 is a simple concept: organize street art workshops for the elderly. Over the course of a few days, seniors learn about street art, graffiti and its history, as well as several techniques such as stenciling, then they take their newly acquired skills to the street, ultimately awakening the creative spirit. The clever minds behind the project are Lara Seixo Rodrigues of WOOL Urban Arts Festival and Fernando Mendes of Cowork Lisboa. The presently Lisbon-based project believes that retirement should not equal an intellectually passive lifestyle, and having fun is critical at any age. Even if these elderly street artists don’t get their shot at the Houston Bowery Wall, they definitely look like they’re having fun. Mission accomplished.
Em, who’s always tuned in to the latest fashion news, sent along Moschino’s newest collection designed by the company’s recently appointed creative director Jeremy Scott. These humorous gowns and outfits follow in the Moschino tradition of taking iconic logos and characters and interpreting them with an ironic twist. Jeremy Scott’s line, which includes a capsule collection called Fast Fashion, is inspired by the less-than-healthy snack and fast-food industry. Blowing up these packages ranging from Hershey’s chocolate bar wrapper in this case enveloping a woman’s body, to a variation of the McDonald’s logo centered large on a handbag, the runway show must have felt like a trip down the supermarket aisle in Lilliput. I can’t imagine who will be wearing these, but that Nutrition Facts bridal gown is definitely an irresistibly fun turn on traditional wedding attire.
A couple of weekends ago, when Dan was in town for a short visit, we went over to the David Zwirner Gallery in Chelsea to catch the new Doug Wheeler light installation. Having been to the previous Wheeler show two years ago (here) I was very excited to share the experience with my daughter. Unlike the last exhibit, there was no line. In fact, we were asked if we had a reservation, which spurred a moment of panic but, fortunately in our case, it was of no consequence. However, also unlike SA MI 75 DZ NY 12 this Wheeler light installation was less surprising and disorienting, which isn’t a bad thing, just different. While the last exhibit was a bit unnerving upon entry — not being able to tell where the room began or ended — this domed room shows its edge and horizon line right from the door. The previous work instilled a bit of anxiety, this one a calm and soothing effect. As in many of Wheeler’s works the immersive environment emphasizes the viewer’s physical experience of space, in this case focusing attention on the way light almost imperceptibly changes along the horizon as the earth turns. If the last exhibit installation felt like being in a cloud, I would equate this one (based on no personal experience, obviously) to a moon-like atmosphere. Forget watching George Clooney in Gravity, head over to David Zwirner and immerse yourself in Doug Wheeler’s rotational horizon. Best to make a reservation, just to be on the safe side. The installation will be up through March 29, 2014.
Third photo courtesy of David Zwirner Gallery. All others collabcubed.
What would you do with 500,000 sugar cubes? Well, if you’re Irish artist Brendan Jamison and his sculptor collaborators Mark Revels, Mary McCaffrey, Lydia Holmes, and David Turner, you build a metropolis, naturally. A Sugar Metropolis. Brendan Jamison and his crew did just that this past October through January at the Ulster Museum in Belfast, Northern Ireland, inviting visitors to participate in the ongoing construction of sugar buildings with the assistance of the experts. Now, with the help of No Longer Empty (previously here and here) they’re bringing their project to Harlem this summer; the Sugar Hill district, no less! The event aims to celebrate the power of collaboration in art, engaging local residents of all ages in the community to help build their own Sugar Metropolis, with the goal to ignite the imagination of everyone in the neighborhood. Brendan Jamison has created a Kickstarter page to help fund the project, so see if you might want to consider contributing to their generous creative efforts.
Here’s Ulster installation in progress: