It’s a cool glow-in-the-dark playground. No, it’s an art installation. Well, actually, husband-and-wife team Eric Höweler + Meejin Yoon of the Boston-based Höweler + Yoon Architecture were striving for both. The temporary installation titled Swing Time, located in a public park space next to the Boston Convention Center in South Boston, consists of 20 glowing oval swings that encase LED lights which activate with the swings’ movement. When forces are static and the swings are not in use, they emit a soft, white light that illuminates the area. When the swings are in motion, the micro-controller switches the light from white to purple, creating a more colorful glowing effect. Swing Time is part of an initiative to create the first interactive public space in the city, with the goal to entice people of all ages to play. If you’re in Boston, you might want to check it out.
Strolling through the gallery openings in Chelsea the other evening I came upon Jen and Paul’s One Stop Shopping Souvenir City & Chelsea Bus Tours. Definitely hard to miss, the glitzed up light blue parked bus (on 26th Street the night I was there, but apparently more often located on 24th Street) beckons to passers-by, welcoming them in and offering an array of humorous art souvenirs for purchase. The mobile shop — created, designed, run, and driven by performance artists Jen Catron and Paul Outlaw — displays and sells an impressive selection of clever mock DIY-style art kits, games, and supplies that poke fun at the big-name contemporary artists whose work is often found within the galleries that surround it. Make your own Jeff Koons balloon animals with a set of branded balloons. A glasses and nose disguise is repositioned as a Cindy Sherman Disguise Kit. There’s Chuck Close Graph Paper, Paul McCarthy Ketchup bottles, Mini Damien Hirst Shark, William Wegman Dog Treats and much more. Definitely chuckle-inducing throughout. And if that weren’t enough, Jen and Paul offer free Chelsea tours led by the two of them as well as a few semi-celebrity guests such as Paddy Johnson and comedian Sean J Patrick with others to follow. Make sure to keep an eye out for the bus if you’re headed to Chelsea this fall, or sign up for a tour over here.
You can learn more about Jen and Paul in the video below:
I’m not sure if it’s because it’s Fashion Week here in NYC, or because the fall season has begun bringing with it a new crop of looks, or maybe I just hadn’t strolled down Madison Avenue in a while but, when I did yesterday afternoon I was really struck by all the store windows, both in their content and their display design. Barney’s had a series of rotating photos by Bruce Weber titled L.A. Stories; another store whose name escapes me was setting up neon signage along with what seemed to be an outdoor runway, but the windows that stopped me in my tracks were those of Hermès. The mannequin heads were these spectacular sculptures which at first glance looked like blocks of painted wood, but as I got closer I realized that they were actually books. Books! Rolled, fanned, stacked, bent, not only were the mannequin heads stunning (possibly the most fabulous part of the general fabulosity), but the backdrops as well were intricate tableaus created using the edges of books, painted in colors and stripes, in some cases just as multicolor striped motif backdrop while in others 2-dimensional mythical gods. I went in to ask who the artist was and should have recognized the name right away, having posted NYC-born and based artist Nick Georgiou’s work before. Seeing them in person, however, is even more impressive. Kudos to whoever thought to give the job to Georgiou, and of course kudos to the artist himself for making an impressive splash on Upper Mad, specifically at the corner of 62nd Street.
Photos collabcubed and Nick Georgiou
It’s not really surprising that Italian artist Marco Bottin of Padua wrote his graduate thesis in Philosophy on Economic Sociology, specifically the theme of gift and reciprocity. He has carried the theme, and related ones, into his art using everyday objects and filling them with symbolism and contradictions or tensions. His sculptures in particular are at once humorous and troubling, and if the visuals don’t pack enough of a punch on their own, the titles finish the job for sure. From top to bottom: A Middle Class Portrait (top two); Growing Up is not for Adults; In Loving Memory; and Statements, Injuries, Predictions.
This looks fun and since we’ll be attending festivities in Maryland this weekend, maybe we’ll be able to squeeze in a quick jaunt to the National Building Museum in Washington D.C. before the maze comes tumbling (well, maybe not tumbling) down on Monday, September 1, 2014. Danish architecture firm Bjarke Ingels Group (BIG) (previously here and here) has created a concave wooden labyrinth in the middle of the museum’s main hall. Constructed with maple plywood, the structure rewards your efforts by revealing a 360-degree view of the maze once you reach the center, the point where the 18 ft tall walls are clearly a lot shorter. Of course, there’s always the option to get a different—and more complete— perspective/view from the second and third floor balconies without doing all the work, but then, what fun would that be?
Daniela shared this Instagram photo series with me last week and it’s right up our alley, both because they’re absurd—starting with the title—and because they’re pizza-related, two things we really enjoy. Pizza in the Wild series I and II by Los Angeles-based photographer Jonpaul Douglass were inspired by pizza graffiti which led him to photograph a bunch of Little Caesar’s pizza pies in unusual locations and situations throughout LA. Some hang off ledges, others are thrown/placed on animals, cars, street signs and the like, and still others become one with nature. If you’re feeling badly for the pizzas that appear in the shots, don’t; none were harmed in the making of the series and apparently some were even eaten! A very wise man, for sure.
Artists Bob Seng and Lisa Hein have created their Jello Brick Wall sculptures on more than one occasion. Their most recent was at the Seattle Center in, well, Seattle. The jiggly installation consisted of 500 lbs. of Jell-O made into loaf-size bricks of varying flavors (raspberry, orange, cherry, lime, and more) and colors held in place with gypsum mortar. The artists cook the Jell-O on a hot plate and cool it in molds in a fridge. The final wall measured roughly 5 feet in height and 12 feet in length. And then there’s the melting/deteriorating aspect. Hein and Seng like the temporary nature of the work. Each brick apparently has the approximate lifespan of cut flowers, eventually melting or crumbling leaving just the mortar. The work is part performance, part installation. You can see more in the video below: