These photos are a lot of fun. Luxembourger artist Simone Decker created them in 1999, but I just happened upon them for the first time now. Decker is interested in perspective shifts and often explores the way public space is arranged. Much of her work appropriates said space as in her photographic series shown above: Chewing in Venice 1 + 2. Using photographic trompe l’oeil devices, Decker includes the streets and squares of Venice as the backdrop for her oversized gum sculptures; a proposal for sculptural work, or at least that’s the way I understand it.
From an article translated on her website:
All of these works consist of photographs, mostly series of photographs, that propose sculptures or architectural elements for the public domain. They are documentations of real outside installations of these objects. But it is only the perspective of the camera that lends the works a visual presence and a dimension that puts them in the relationship to the urban or architectural environment desired by the artist. In Chewing in Venice, for example, the chewing-gum objects only become sculptures that fill squares and lanes by virtue of the fact that they are photographed right in front of the lens.
Those big bubbles remind me a bit of the RedBall Project. I think the realization of these sculptures would be a huge hit.