I probably should know Rona Pondick’s work—after all she studied under Richard Serra and her impressive list of exhibitions include the Whitney, Brooklyn Museum, and MoCA in LA among many more art institutions worldwide—but I don’t believe I’ve ever come across it before. Fortunately, I stumbled upon it the other day online. I really like all of her work; both new and old. Pondick, a NYC-born and based artist, offers a feminist critique on Freudian theories of sexuality through her work. Her earlier pieces mostly depict abstractions of mouths and breasts in an array of mixed media. Her more recent sculptures are cast in a variety of metals and consist of human-animal or -plant hybrids, often strange and disturbing, suggesting a kind of metamorphosis, hence the name of one of her exhibits and subsequent publication: The Metamorphosis of an Object. You can see much more on her site.