It’s a cool glow-in-the-dark playground. No, it’s an art installation. Well, actually, husband-and-wife team Eric Höweler + Meejin Yoon of the Boston-based Höweler + Yoon Architecture were striving for both. The temporary installation titled Swing Time, located in a public park space next to the Boston Convention Center in South Boston, consists of 20 glowing oval swings that encase LED lights which activate with the swings’ movement. When forces are static and the swings are not in use, they emit a soft, white light that illuminates the area. When the swings are in motion, the micro-controller switches the light from white to purple, creating a more colorful glowing effect. Swing Time is part of an initiative to create the first interactive public space in the city, with the goal to entice people of all ages to play. If you’re in Boston, you might want to check it out.
I’m not sure if it’s because it’s Fashion Week here in NYC, or because the fall season has begun bringing with it a new crop of looks, or maybe I just hadn’t strolled down Madison Avenue in a while but, when I did yesterday afternoon I was really struck by all the store windows, both in their content and their display design. Barney’s had a series of rotating photos by Bruce Weber titled L.A. Stories; another store whose name escapes me was setting up neon signage along with what seemed to be an outdoor runway, but the windows that stopped me in my tracks were those of Hermès. The mannequin heads were these spectacular sculptures which at first glance looked like blocks of painted wood, but as I got closer I realized that they were actually books. Books! Rolled, fanned, stacked, bent, not only were the mannequin heads stunning (possibly the most fabulous part of the general fabulosity), but the backdrops as well were intricate tableaus created using the edges of books, painted in colors and stripes, in some cases just as multicolor striped motif backdrop while in others 2-dimensional mythical gods. I went in to ask who the artist was and should have recognized the name right away, having posted NYC-born and based artist Nick Georgiou’s work before. Seeing them in person, however, is even more impressive. Kudos to whoever thought to give the job to Georgiou, and of course kudos to the artist himself for making an impressive splash on Upper Mad, specifically at the corner of 62nd Street.
Photos collabcubed and Nick Georgiou
I stopped by the opening of Outlaw Arts’ graffiti and street art show 21st Precinct last Saturday evening. The 1863 NYPD building will be demolished in the coming months and a condominium will take its place, so, as has become recently popular in NYC and abroad, the four-story space was handed over to street artists who covered every wall, door, floor, ceiling, bathroom, and other nooks and crannies throughout with their art. The irony of graffiti in a police station was not lost on many of the artists who themed their work accordingly: there were excerpts from the Miranda Rights sprayed in beautiful type graffiti; there was a bathroom that looked like a murder scene with a blood-filled sink; a machine gun vending machine; Pacino’s Scarface above writing in white powder simulating cocaine on the floor, and much more. Each artist was apparently given a room or hallway or stairway to go to town on, and go to town they did. Some of my personal favorites included Rae-BK, Alice Mizrachi, Yok and Sheryo, Mr. Toll, and of course others who I was not able to identify, such as the bottom photo. (Update: it’s Erasmo.)
It’s interesting to see how street art is increasingly making its way indoors and with that so is the sense of a downtown gallery scene. There were even iPads displaying additional works in some of the rooms and business cards abound. And why not? Just as with any art, there are some truly exceptional artists among many of the more mundane, and I, for one, would be thrilled to have any one of a number of these artists’ works on my walls.
Many of the featured artists were wandering around the opening, blending in with everyone else, except for the rare case of red spandex pants that far from blended, but that seemed to be the point. If you missed the event last weekend, don’t despair, the 21st Precinct at 327 East 22nd St. will be open to the public again this coming weekend 8/23 and 8/24 from 1 to 6pm. If you can’t make it live, you can see many more (and better) photos here and here.
Artists Bob Seng and Lisa Hein have created their Jello Brick Wall sculptures on more than one occasion. Their most recent was at the Seattle Center in, well, Seattle. The jiggly installation consisted of 500 lbs. of Jell-O made into loaf-size bricks of varying flavors (raspberry, orange, cherry, lime, and more) and colors held in place with gypsum mortar. The artists cook the Jell-O on a hot plate and cool it in molds in a fridge. The final wall measured roughly 5 feet in height and 12 feet in length. And then there’s the melting/deteriorating aspect. Hein and Seng like the temporary nature of the work. Each brick apparently has the approximate lifespan of cut flowers, eventually melting or crumbling leaving just the mortar. The work is part performance, part installation. You can see more in the video below:
Swiss accessories luxury brand Bally has launched a year-long initiative expanding their commitment to art and design with their project titled Form Scratch presented during Art Basel last month. The project has three parts to it: the restoration of one of architect Jean Prouvé’s signature prefab nomadic structures; a collection of furniture by Swiss architect Pierre Jeanneret; and, lastly, a commission by French artists Benjamin Moreau and Samuel Boutruche of Kolkoz. That last part mentioned is the one this post is about. Drawing from their background working in video games and 3D digital imaging, the Kolkoz duo recreated the house’s elements as a flat wooden panel, much in the style of the model kits from my youth (and likely still today… it’s been a while since I’ve put together a toy model.) Being that the Jean Prouvé house is meant to be built by two people in a day, the artists flattened it out and playfully made it an oversized toy object. The installation is both fun as well as a document of the structure’s elements. Suspending it over the river Rhine makes it all the more humorous and eye-catching.
Here’s the event in all its fabulousness:
A couple of months back I made the trip out to Mana Contemporary (a surprising cultural hub in Jersey City) and witnessed Matt Reilly of Japanther—a band established by Reilly and Ian Vanek while students at Pratt and described by art reviewers as “art-rock installation paratroopers” —skateboard paint. Somewhere between Jackson Pollock’s drips and Aaron Young’s multi-motorcycle performance art piece Greeting Card, lies Reilly’s skate-painting. By adding paint to the wheels of his board with sponges and then showing off his skating skills, Reilly is able to create large, abstract paintings while putting on a mesmerizing show. The results are nicer than I would have imagined, and the process was fun to watch. You can see him in action below:
Top two photos: collabcubed. All the rest: Japanther
This isn’t the first time artist João Onofre displays his art installation titled Box Sized Die, nor is it likely to be the last. It is, however, the first time the installation has gone to London. Consisting of a large soundproof steel cube, the Portuguese artist invites a local Death Metal band to play inside the cramped space both with the door open, and then with it closed, limiting the performance length to how long the band can last before the oxygen runs out. Placed in the heart of the business district for this summer’s Sculpture in the City festival, Box Sized Die, according to Onofre, is meant to symbolize the office buildings that surround it filled with cubicles and impossible to know what’s going on inside from the exterior. Spectators put their ears to the box to hear the band Unfathomable Ruination play their self-proclaimed “unrelenting brutal death metal” to no avail, but the band seems to be embracing the challenge wholeheartedly having lasted between 19 and 25 minutes in the sealed box so far.
If you’re in London, the band will be performing Wednesday to Friday through August 1, 2014.
via the guardian