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Row by row; left to right: Lowther Children’s Centre, London, Patel Taylor Architects. 7 World Trade Center, NYC, Michael Gericke, Pentagram. The Marion Cultural Centre by ARM + Phillips/Pilkington. Artwork for the Indianapolis Airport, Indiana, Joe C. Nicholson. Fairmont Pacific Rim Hotel, Vancouver, Canada, Liam Gillick; words say “Lying on top of a building, the clouds looked no nearer than when I was lying in the street.” British Library main gates, Cambridge, UK, Cardozo Kindersley Workshop. Grey Group, NYC, Paula Scher, Pentagram. Lincoln Center steps, “Welcome” in multiple languages, Diller Scofidio + Renfro. U.S.-Canada border crossing station at Massena, NY, Michael Bierut, Pentagram (has since been taken down.)
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Row by row; left to right: New York Times Building Signage, NYC, Michael Bierut, Pentagram. Symphony Space, NYC, Paula Scher, Pentagram. 770 Broadway awning, Paula Scher, Pentagram. Harley Davidson Museum, Milwaukee, Wisconsin, Michael Bierut, Pentagram. Bloomberg Building, NYC, Paula Scher, Pentagram. Container Mall (proposed design) NYC, LOT-EK. APAP Open School, Korea, LOT-EK. Bohen Foundation, NYC, LOT-EK. Lignan Studio renovation, LOT-EK. PS1 Museum of Art, Queens, NY (not sure of designer.) Museum Tower, Dallas, Texas, Scott Johnson, Johnson Fain Architects, photo from williamedia’s photostream. Wales Millenium Centre, Cardiff, South Wales, Jonathan Adams, Capita Architecture, photo from iwouldstay’s photostream.
As promised, here is a second roundup of architecture and typography merged into one (see Part I). Pentagram has a large representation here, as does Lot-ek, possibly because many of their projects are in NYC and I am personally familiar with them, but it’s more likely because their websites happen to be chock-full of these beautiful projects. Lot-ek’s use of type and color on their projects feel a little like Freitag bags on steroids. I love it.
Jess Dunn is a sculptor and installation-based visual artist and landscape designer living in Albuquerque, New Mexico. As stated on the alumni page of the University of New Mexico:
Her [Dunn’s] art focuses on ecological sustainability–generating conversations where the familiar opposition of nature and culture is reworked in fragile, hybrid, and intensely corporeal ways. Her three-dimensional and installation projects speak to how historically and culturally specific human populations intersect and transect natural worlds…She continues to create awareness about environmental sustainability through public art.
The top two images are from Dunn’s Diagram for Substance Transferal project, where the suits were created for the study of thermal depolymerization (the process by which any organic material can be turned into oil) in The Human-to-Oil Project (which is the project in the photos below it.) The instrument, in the latter, can be used to transform donated human organic matter into oil; faucets on the sides emit the liquefied matter into collection barrels paralleling the press.
The final project shown here are the Salt Preservation Skins. Designed to be grown over water canals, these suits serve a dual purpose: to preserve donated organic matter until a Human-to-Oil Press is ready for use; and to reserve processed, liquefied organic matter until needed for energy.
Apart from being conceptually intriguing, I find these projects visually interesting, if a little morbid. See more of Jess Dunn’s work here.
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Left to right, row by row: Lentos Art Museum, Linz, Austria, Weber & Hofer Architects. Caltrans District 7 Headquarters, LA and Cooper Union, NYC, both Thom Mayne, Morphosis, typography on Cooper Union was done in collaboration with Abbott Miller, Pentagram. Parsons The New School for Design, NYC, Lyn Rice Architects; exterior awning photo: Michael Moran. Interior auditorium acoustic graphic photo: Noah Sheldon.
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Left to right, row by row: PopBurger, NYC, Ali Tayar, Parallel Design. The Alembic door, Oliver DiCicco. 9 West 57th St. sculpture, Chermayeff & Geismar. UCSF, University of California, San Francisco. Minneart Building, Utrecht University, The Netherlands, Neutelings Riedijk Architects. University of Toronto, Graduate Student Housing, Thom Mayne, Morphosis. Hackney Empire theater extension, London, Tim Ronalds Architects. Blackpool Climbing Tower, Blackpool, England, Why Not Associates with Gordon Young. Tam O’ Shanter Pub Steps in Ayr, Verse from Burns’ Whisky, Why Not Associates with Gordon Young. G Hotel, Ireland, Philip Treacy Architects. Koninklijke Bibliotheek (Library in The Hague, Netherlands), designed by Wim Quist (?).
Nothing really comes up when you google “architypeture” other than the recently scooped up domain name, but I’ve decided to use it here as the fusion of architecture and typography, especially when successfully and beautifully rendered. I don’t think there is a designated term for this, but there should be. Architypeture is possibly one of my favorite things, and I don’t do favorites lightly. This is Part 1 of two posts (the second will follow shortly) showing examples of typography wonderfully incorporated into architecture; in some cases on the exteriors of the buildings and in other cases, the interiors. All names and credits that I was able to find (mostly of the projects and architects, a few of the photographers) have been listed with their corresponding links. If someone knows any credits that have been omitted, please feel free to let me know in the comments.
(See Part II here)
Oliver Dicicco, who not only designs furniture but also makes beautiful instruments and kinetic sculptures, is the creator of the top two atypical tables: The Drum Table and Triangular Coffee Table.
The bottom table is the Three Sixty Table designed by Studio Mauerer Hendrichs. Made with skateboard trucks and wheels to create a lazy-susan spinning mechanism.
Living in NYC and loving art and design makes the Museum of Modern Art (MoMA) a natural frequent destination for us. I have always appreciated the graphics in the museum but noticed in the past few years that they have become more prominent with a boldness and emphasis on typography that is hard to ignore in a good way. I have to admit to having been lured into the occasional exhibit based on the beautiful supergraphic on the wall outside, much in the way that I would pick up a book based on its beautiful cover.
The team behind the graphics is the MoMA Design Studio with Julia Hoffmann (who previously worked at Pentagram with Paula Scher) as the creative director, and whose work I’ve admired for years. Her presence along with the rest of the designers is definitely felt, from the museum’s walls to its printed materials. You should check out the studio’s site to see more of their fabulous work.
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Yes, it’s true. I’m consistently drawn to art that uses colored light, light bulbs, or LEDs. I’ve liked it for as long as I can remember. When I was younger the big attraction was neon, and I dreamed of having a neon sign on the wall of my room. Later, the discovery of Dan Flavin’s colored fluorescent bulb sculptures was very exciting and in the last ten years or so I’ve become a big fan of James Turrell’s work. So it’s not all that surprising that I should post about other artists working in the same medium as I come upon their work. And, just like paint, these artists all create quite different effects and artworks.
Hans Kotter, a German artist, falls in this group of light sculpture artists. Really nice work. It appears from his site that he will be exhibiting work next week at Design Miami Basel and he was recently a part of the Kinetica Art Fair in London where he exhibited his Tunnel View piece (top photo).
You can see more of Hans Kotter’s work here and here.
The Folder Chair, designed by the Serbian architect Vladimir Paripovic, is made of thin steel panels and beech wood for the seat. It has a side pocket that can hold books or magazines, or anything else you’d like to put in there, and is perfect for small spaces due to its compact size. It’s actually more of a stool than a chair. Great way to brighten up a room!
The ceramicists/designers ladies of clay at Claydies came up with these humorous bicycle helmet concepts for a crafts exhibit at the Art Museum of Northern Jutland in Denmark. 18 Haute Couture bike helmets in all! Check out the rest at their site as well as their floating tea cups and their hairstyle inspired ceramic bowls. They certainly seem like a fun pair.
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The pop-up plaza, deemed The Lot, at 30th Street and 10th Avenue is just as promised. Rainbow City, the interactive balloon installation by Friends With You is cute, fun, kid-friendly and adult-silly. It feels a little like being on a real-life Candy Land game board with a hipster twist. The food section (The Lot On Tap) with its tables nicely angled to be parallel with the High Line above it, and stylish hanging lights, food trucks, large bar and container ticket booth, is all very appealing and I can imagine will be hugely popular in the evenings and weekends.
For me, the true star, once again, is the High Line. It’s hard to believe that they could top the original section, but in some ways I think they might have. Much more seating is available and incorporated very creatively and elegantly. There’s a coziness due to the proximity to the adjacent buildings (which might get a little claustrophobic on a crowded weekend) and there are many romantic little branches, or cul-de-sacs, throughout which work very nicely. Oh, and a lawn! A decent size lawn for NYC standards.
Definitely worth a visit, or three, this summer. Rainbow City is up through July 5, 2011, and Colicchio & Sons’ The Lot On Tap will continue through the summer. Open Sundays through Wednesdays from 11am to 10pm, and till 11pm Thursdays through Saturdays.
Fesetti, the photography duo made up of Christiane Feser and Mara Monetti, have shot the series entitled Disappear, showing different techniques to disappear by camouflaging themselves in a variety of settings.
I saw the charming, funny, and smart Juan Astasio (who just finished his MFA in Graphic Design at Yale) speak last night at the AIGA Fresh Blood event. Many of Astasio’s projects combine a playful wit with an interesting interactive aspect. The photos above are from his 100 Days project (I believe this is a Michael Bierut assignment) called 100 Smiles. Juan made a smile a day from found objects, every day for 100 days and photographed each one. They have all been placed on a website and scroll to the song Always Look on the Bright Side of Life by Eric Idle.
The rest of his site is worth checking out as well. Some of my favorites include: Issues, a personal project showing our insensitivity towards powerfully disturbing images; One Minute of Silence Project where you can write epitaphs for things you’ve lost; and Weather Escapes.
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Recent work from Polish graffiti artist Szum.
These porcelain teapots made me chuckle. Uniquely designed by Marla Dawn to pour two teacups at a time.
Heatherwick Studio is probably best known, recently that is, for their spectacular Shanghai Expo UK Pavilion which, quite deservedly, received a lot of attention. We are also familiar with their impressive staircase at the Longchamps store in Soho, NY but, all their projects are worth checking out. The Rolling Bridge at the Paddington Basin in London is no exception.
Completed in 2004, Heatherwick’s challenge was to design a pedestrian bridge to span an inlet providing an access route for pedestrians while at the same time lifting to allow access for the boats in the inlet.
From the Heatherwick website:
The aim was to make the movement the extraordinary aspect of the bridge. A common approach to designing opening bridges is to have a single rigid element that fractures and lifts out of the way. Rolling Bridge opens by slowly and smoothly curling until it transforms from a conventional, straight bridge, into a circular sculpture which sits on the bank of the canal.
The structure opens using a series of hydraulic rams integrated into the balustrade. As it curls, each of its eight segments simultaneously lifts, causing it to roll until the two ends touch and form a circle. The bridge can be stopped at any point along its journey.
You can watch a video of the bridge in action here. To see it open live, you need to be there any Friday at midday.
via our buddy Nils!
NOW we’re talking! Can’t tell you how disillusioned we were with the last round of the Converse/Marimekko collaboration. Such a great idea, but such a disappointing selection of patterns. This time around, with the announcement of their Fall 2011 line, (in our humble opinion) they really got it right.
The collection will be available in stores and online at Converse on June 23rd.
via notcouture via Nylon
Dublin-born artist, Michael Craig-Martin, currently has a show of new paintings and sculptures at the New Art Centre outside London in the town of Wiltshire. I especially like the sculptures, which really do look like 3-dimensional line drawings of everyday objects.
Inspired by the 1953 film, The Red Balloon, Japanese designer Satoshi Itasaka from h220430 studio designed the Balloon Bench. While it appears to be suspended in the air by balloons, the bench is actually suspended from the ceiling by four anchors concealed by the balloons.
Available at Somewhere in Tokyo.
Photos © Ikunori Yamamoto
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Walking over to Chelsea the other day, I happened upon this very eye-catching and unique storefront on West 22nd Street. Turns out it’s the recently opened Van Alen Books, a bookstore and public reading room devoted to architecture and design publications. Designed by the architectural firm LOT-EK (the same architects behind the design of many impressive container structures, among other projects), the small space is predominantly occupied by the dramatic steps/seats made of recycled doors (if you enlarge the photos you can see where the hinges and strike plates were) stacked and bolted together to form a triangular hanging platform which felt surprisingly sturdy when I climbed up. The delightfully welcoming and enthusiastic young woman at the store told me that there will be a lecture series starting this Wednesday and the steps will be used as seating for the audience, stadium style.
If you’re in NYC and interested in architecture or design (which is likely, if you’re reading this blog), this may be a place you’d like to visit. The lecture series schedule isn’t up on the website yet, but you can call the number on their site to find out more. Van Alen Books is located at 30 W. 22nd Street, between 5th and 6th Avenues.